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Essential Keyboard Trios: Piano Trio (1 Piano, 6 Hands) Book

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Essential Keyboard Trios: Piano Trio (1 Piano, 6 Hands) Book

10 Intermediate to Early Advanced Selections in Their Original Form

Ed. Lucy Mauro and Scott Beard

Level: Intermediate / Early Advanced

Item: 00-27615

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Description
Keyboard trios (three pianists at one keyboard) are not only an enjoyable form of ensemble music, but are also indispensable tools in developing rhythm, dynamics, tempo consistency, and group musicianship skills in any pianist. The original works of W. F. Bach, Fodor, Gurlitt, Handel, Mozart, Rachmaninoff, and Streabogg are included, in score format (with all three parts on the same page), along with essential performance notes and helpful editorial fingerings and footnotes. Titles: Das Dreyblatt (Bach, Wilhelm Friedrich Ernst) * Sonata for Six Hands, Op. 10 (Fodor, Carolus Antonius) * Capriccietta, Op. 192, No. 3 (Gurlitt, Cornelius) * Gavotta, Op. 192, No. 2 (Gurlitt, Cornelius) * Impromptu, Op. 192, No. 6 (Gurlitt, Cornelius) * Hallelujah Chorus from Messiah (Handel, George Frideric, arr. Czerny) Overture from The Marriage of Figaro (Mozart, Wolfgang Amadeus, arr. Czerny) * Valse (Rachmaninoff, Sergei) * Romance (Rachmaninoff, Sergei) * Bolero (Streabbog, Jean Louis). The comb binding creates a lay-flat book that is perfect for study and performance. A Federation Festivals 2024-2028 selection.

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Additional Details
Series: Alfred Masterwork Edition: Essential Keyboard Repertoire
Publisher: Alfred Music
Page Count: 138
ISBN10: 0-7390-4534-2
ISBN13: 978-0-7390-4534-3
UPC: 038081299280
SKU: 00-27615

More about this title

Why we love this

This collection bridges a real pedagogical need: accessible ensemble music that keeps all three pianists genuinely engaged rather than relegating anyone to accompaniment. The mix of original works and thoughtfully arranged masterworks (Handel, Mozart) gives students exposure to familiar musical territory while the score format lets you see the full texture at a glance, making rehearsal conversation and balance refinement immediate and concrete.

What to expect

Intimate and intricate. Three voices weave around each other with the clarity of chamber music but the richness of a full keyboard texture. Moments arrive where all three pianists lock into a unified rhythm, creating a satisfying sense of ensemble cohesion that individual practice never achieves.

Who it's for

Intermediate to early advanced pianists ready to navigate shared physical space and coordinate with partners in real time. This works well for studio teachers building ensemble skills in advanced students, or for group piano classes that want to move beyond method book duets into genuine repertoire.

How to get the most out of it

  • Establish a clear visual cue system before rehearsal starts. With three pianists sharing one keyboard, eye contact and subtle head movement become your primary communication tools since hand signals aren't practical.
  • Balance the dynamic layers by asking each pianist to listen specifically to one other part. The primo player might anchor on the secondo's harmonic foundation while the secondo tracks the tertio's rhythmic shape, preventing the ensemble from collapsing into one blended mass.
  • Work tempos slowly enough that all three players can breathe together and feel the subdivisions identically. Keyboard trios expose rushing immediately, so establish a metronomic consistency that feels relaxed rather than mechanical.

How to use it

Feature a trio in a student recital alongside solo repertoire to showcase your pianists' collaboration skills and maturity. The shorter works (the Gurlitt and Rachmaninoff pieces) work particularly well as opening numbers or program interludes, while the longer pieces like the Mozart and Handel arrangements anchor a full student ensemble concert.

Skills your students will build

  • Rhythmic precision and tempo consistency across three independent performers
  • Dynamic balance and voice independence within a shared harmonic space
  • Non-verbal ensemble communication and listening to ensemble partners
  • Score reading with three simultaneous parts visible at once
  • Counting and subdivision accuracy under the constraint of shared keyboard access
  • Collaborative musicianship and group problem-solving in rehearsal

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