Essential Keyboard Études Cover Image

Essential Keyboard Études: Piano Comb Bound Book

$18.99 USD
Sale price  $18.99 USD Regular price 
Skip to product information
Essential Keyboard Études Cover Image

Essential Keyboard Études: Piano Comb Bound Book

100 Early Intermediate to Late Intermediate Studies

Ed. Albert Mendoza

Level: Early Intermediate / Late Intermediate

Item: 00-44704

$18.99
Shipped

One moment…

Description
This essential collection of 100 piano études is divided into 15 units that survey the technical challenges at the early intermediate, intermediate, and late intermediate levels. The early units review technical issues that students experience at the elementary levels, such as five-finger patterns and articulations. The later units introduce more difficult technical challenges that prepare students for advanced repertoire, such as playing ornamentation, octaves, and large chords. Each unit contains between five and ten études written by master composers from the Baroque, Classical, Romantic, and Contemporary periods. Within each unit, the études are arranged in order of difficulty. Each piece appears in its original form; notes have not been added or removed. The composers' original dynamics, tempo marks, phrase indications, and articulations have been preserved. Ornamentation is realized in footnotes. Added measure numbers provide easy reference, and editorial suggestions for fingering and pedaling have been provided. A concise foreword discusses technique at the intermediate levels. Two indexes are included: one by unit and technical skill, and another by level and composer.

Unit listing: Five-Finger Patterns * Articulation * Coordination between the Hands * Scales * Triads, Inversions, and Broken Chords * Double Notes * Left-Hand Development * Velocity * Arpeggios * Finger and Hand Independence * Repeated Notes * Accompaniment Patterns * Ornamentation * Octaves * Four- and Five-Note Chords.

Titles: Alla Tarantella (from 12 Études), Op. 39, No. 2 (MacDowell) * Étude in A Minor ("Arabesque") (from 25 Easy and Progressive Studies), Op. 100, No. 2 (Burgmüller) * Étude in B-flat Major (from 25 Melodious Studies), Op. 108, No. 10 (Schytte) * Étude in C Major (from Practical Method for the Pianoforte), Op. 249, No. 65 (Köhler) * Étude in F Major (from The First Steps of the Young Pianist), Op. 82, No. 39 (Gurlitt) * Étude in G Major (from 25 Elementary Studies), Op. 176, No. 20 (Duvernoy) * Étude in D Minor ("Warrior's Song") (from 25 Melodic Studies), Op. 45, No. 15 (Heller) * Étude in G Minor (from Training of the Left Hand), Op. 89, Book II, No. 6 (Berens) * Exercise in C Major (from Étude for the Pianoforte), Op. 39, No. 1 (Cramer) * Little Étude (from Album for the Young), Op. 68, No. 14 (Schumann) * Maria (romanza sin palabras) (from Six Expressive Studies) (Granados) * Menuetto (from First Term at the Piano), Sz. 53, No. 16 (Bartók) * and many more. 152 pages. Comb-bound.

Essential Keyboard Études: Piano Comb Bound Book isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
No sample audio found.
Sample Video
Additional Details
Publisher: Alfred Music
Page Count: 152
ISBN10: 1-4706-2740-X
ISBN13: 978-1-4706-2740-9
UPC: 038081508207
SKU: 00-44704

More about this title

Why we love this

The editorial choices here are exceptionally thoughtful. By preserving composers' original notation while adding fingering suggestions and realizing ornaments in footnotes, students encounter authentic historical practice without drowning in unfamiliar symbols. The 15-unit structure lets you target specific technical problems your students actually struggle with, rather than working linearly through a generic method.

What to expect

A curated masterclass in keyboard technique across four centuries. Each unit feels purposeful and progressively challenging, revealing how Baroque, Classical, Romantic, and Contemporary composers approached the same technical problems from different musical angles.

Who it's for

Early intermediate through late intermediate piano students who are ready to move beyond generic technical exercises and want to understand how master composers built technique into their own work. This collection serves equally well in private studio instruction, group piano classes, and repertoire-based curricula.

How to get the most out of it

  • Use the measure numbers when assigning practice segments. Students can work through an étude in focused chunks without losing their place between lessons.
  • Reference the two indexes strategically. If a student struggles with octave passages, the technical skill index pinpoints which études isolate that challenge at their level.
  • Study the editorial fingering suggestions as a starting point, not gospel. Encourage students to test fingerings that feel natural to their hand span and then compare with the printed suggestions.

How to use it

Assign études as focused technical preparation before students tackle larger repertoire in the same technical area. If a student is learning a Chopin nocturne, pull an étude from the Ornamentation or Arpeggios unit to build confidence first. Contest and festival preparation benefit especially from this approach, since the piece itself doubles as performance material.

Skills your students will build

  • Five-finger patterns and basic hand position
  • Articulation control (legato, staccato, mixed)
  • Hand coordination and independence
  • Scale passages at increasing speeds
  • Triads and inversions across the keyboard
  • Double note technique (thirds, sixths, octaves)
  • Left-hand independence and agility
  • Velocity and rapid passagework
  • Arpeggios at varying tempos and dynamics
  • Finger independence and evenness
  • Repeated note clarity and control
  • Alberti and other accompaniment patterns
  • Realization and performance of ornaments (trills, turns, mordents)
  • Octave technique with security and tone control
  • Large chordal spans and four-note figures

You May Also Like