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Escapades: Concert Band Conductor Score & Parts

$130.00 USD
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Escapades: Concert Band Conductor Score & Parts

By Brian Balmages

Grade: 4.5

Item: 98-CM7003

$130.00
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Description
Premiered at the 2005 Michigan Music Educators Conference, Escapades was commissioned by the Grand Valley State University Symphonic Wind Ensemble under the baton of Barry D. Martin, with Arthur Campbell as clarinet soloist. Since the premiere, it has been scheduled for additional performances in the United States and abroad. The piece gets its inspiration from the title, which can be defined as "a usually adventurous action that runs counter to approved or conventional conduct." This piece is a series of changing "escapades" (or variations) which develop and explore different aspects of the opening thematic material. The entire work builds into a free improvisational section before all elements are united in the final presto.

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Additional Details
Series: Canzonique Music
Publisher: The FJH Music Company, Inc.
UPC: 674398218929
SKU: 98-CM7003
Instrumentation: Solo Clarinet/Wind Ensemble

More about this title

About the Composer: Brian Balmages

Brian Balmages

Brian Balmages has established himself as a composer and conductor working across orchestral, band, and chamber repertoires with equal fluency. His works have reached stages from Carnegie Hall and the Kennedy Center to the Sydney Opera House, performed by ensembles spanning professional orchestras to elementary school groups. He received the A. Austin Harding Award from the American School Band Directors Association and won the 2020 NBA William D. Revelli Composition Contest. An elected member of the American Bandmasters Association, Balmages holds the inaugural James Madison University Distinguished Alumni Award from the School of Visual and Performing Arts.

Balmages has been commissioned by major institutions including the University of Miami for the presidential inauguration, and his music was performed at the 2013 Presidential Inaugural Prayer Service. As a conductor, he maintains regular engagements with all-state and regional ensembles, university groups, and professional orchestras worldwide, with notable appearances at the Midwest Clinic, Western International Band Clinic, and conferences across the United States and internationally. He currently serves as Director of MakeMusic Publications and Digital Education for Alfred and MakeMusic.

Why we love this

Escapades turns a clarinet soloist into the narrative voice of the entire ensemble, building variations that showcase both the soloist's technical range and the band's ability to support and respond to chamber-like textures. The progression toward an improvisational section then a presto finale keeps the energy alive and gives conductors a compelling arc to shape across a work that premiered at a major state conference yet remains engaging for rehearsals at any level.

What to expect

Escapades unfolds like a series of musical adventures, each variation revealing new facets of the opening theme while the clarinet soloist leads the charge. The improvisational heart of the work creates a moment of freedom and spontaneity before everything converges into a driving, exhilarating final section that leaves both performers and listeners energized.

Who it's for

Concert bands at the Grade 4.5 level looking for a feature that balances solo brilliance with full ensemble involvement. Directors seeking a contemporary work that offers both the prestige of a commissioned premiere piece and clear pedagogical rewards for mixed-ability ensembles.

How to get the most out of it

  • Balance the clarinet soloist carefully during the variation sections; the ensemble should respond and support rather than overwhelm the melodic line, especially in the earlier variations.
  • Prepare the ensemble for the free improvisational section by establishing clear hand signals and cueing well in advance so transitions feel organic rather than abrupt.
  • Shape the final presto with clear articulation and rhythmic precision so the unified conclusion lands with impact after the exploration of the preceding material.

How to use it

Feature this as a mid-concert work that bridges lighter opening selections and heavier closing pieces, since its arc and soloist visibility command attention without requiring the full dramatic weight of a finale. The premiere history and contemporary credentials make it strong programming for adjudicated contests or showcase concerts where you want to demonstrate ensemble musicianship alongside individual virtuosity.

Skills your students will build

  • Supporting and balancing a solo line while maintaining ensemble cohesion
  • Executing variation techniques and recognizing thematic development across multiple sections
  • Executing free improvisational passages with conductor cues and ensemble communication
  • Shifting articulation and energy to match contrasting musical characters within a single work

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