Entrance of the Queen of Sheba  Cover Image

Entrance of the Queen of Sheba: 6 Flutes Score & Parts

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Entrance of the Queen of Sheba  Cover Image

Entrance of the Queen of Sheba: 6 Flutes Score & Parts

By George Frederic Handel / arr. David Marlatt

Level: Medium-Difficult

Item: 81-F1186

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Description
This famous and exciting piece would make a great opening to a concert or it could even be used as a recessional at a wedding service. The technical parts flow very nicely and sound more difficult than they are.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
Page Count: 24
ISBN10: 1-55473-700-1
ISBN13: 978-1-55473-700-0
UPC: 685462017010
SKU: 81-F1186
Instrumentation: 6 Flutes

More about this title

About the Composer: George Frederic Handel

George Frideric Handel (1685, 1759) dominated the Baroque musical landscape through his gifts for melody, drama, and orchestration. Born in Germany and trained in Italy, he established himself in London where he composed operas, oratorios, and instrumental works that defined an era. His music combines Italian expressiveness with German craftsmanship, making it enduringly teachable across skill levels.

For music educators, Handel represents the Baroque at its most accessible. His writing is singable, rhythmically clear, and structurally transparent. Students encounter his works throughout their musical development because the architecture of his phrases and harmonic language teach fundamental musicianship with elegance.

Why we love this

Marlatt's arrangement captures the ceremonial grandeur of the original without sacrificing the brilliant passagework that makes this work irresistible to players. Six flutes handling this material together creates a lush, cohesive sound that feels far more substantial than a typical flute ensemble piece, and the parts sit comfortably enough that you won't need a wall of advanced players to pull it off.

What to expect

Regal and purposeful, with an undercurrent of forward momentum. The piece radiates confidence through bright articulation and flowing passagework, evoking a processional that feels both ceremonial and energized.

Who it's for

Flute ensembles working at the medium-difficult level who want repertoire that sounds impressive without requiring soloistic virtuosity from every stand. This is ideal for a choir or band director seeking a striking instrumental moment in a concert, or for a flute choir building its library of Baroque standards.

How to get the most out of it

  • Establish the rhythmic foundation in rehearsal by isolating the driving rhythmic motif that propels the piece forward; let the ensemble lock that pattern before worrying about individual line clarity.
  • Balance the runs and scalar passages by having players think through where the phrase naturally breathes rather than mechanically rushing the technical passages.
  • Record a quick rehearsal run-through and listen back as an ensemble to identify spots where intonation dips under the weight of fast notes; often just one or two flutes need adjustment rather than the whole group.
  • Shape the arrival points with slight dynamic swell and release so the most ornate moments land with presence rather than sounding threadbare.

How to use it

Open a concert with this and you signal sophistication and ensemble discipline in the first thirty seconds. It also functions beautifully as a recessional in formal contexts like graduations or weddings, where the combination of Baroque stature and celebratory character lands exactly right.

Skills your students will build

  • Balancing fast scalar passages with phrase shape
  • Ensemble blend in sustained harmonic sonorities
  • Articulation clarity in Baroque rhythmic patterns
  • Breath management across longer technical lines
  • Ensemble intonation under the pressure of fast notes

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