Entrance of the Queen of Sheba Cover Image

Entrance of the Queen of Sheba: 2 Clarinets & Keyboard Part(s)

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Entrance of the Queen of Sheba Cover Image

Entrance of the Queen of Sheba: 2 Clarinets & Keyboard Part(s)

By George Frederic Handel / arr. David Marlatt

Level: Medium

Item: 81-CC2022

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Description
This famous and exciting piece would make a great opening to a concert or it could even be used as a recessional at a wedding service. The technical parts flow very nicely and sound more difficult then they are! Scored here for 2 clarinets and keyboard (piano or organ), this edition is sure to come in handy for various events.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55472-336-1
ISBN13: 978-1-55472-336-2
UPC: 685462005062
SKU: 81-CC2022
Instrumentation: 2 Clarinets & Keyboard

More about this title

About the Composer: George Frederic Handel

George Frideric Handel (1685-1759) was a master of instrumental virtuosity and dramatic effect. Born in Germany and trained in Italy, he spent most of his career in England, where he became one of the most celebrated composers of the Baroque era. His gift for creating memorable melodies and energetic rhythmic passages made his music accessible to broad audiences while maintaining sophisticated compositional craft.

Why we love this

This arrangement captures the pageantry and swagger of Handel's original while sitting perfectly in the clarinet's sweet spot. The writing sounds flashy but avoids unnecessary technical complications, making it an ideal opener that impresses audiences without exhausting your players before the real program begins.

What to expect

Regal and processional, with the infectious energy of Baroque pageantry. The piece radiates confidence and ceremonial grandeur, with passages that dance and surge forward, creating a sense of arrival and occasion that commands attention.

Who it's for

Clarinet duets at the intermediate level who want to perform a recognized masterwork without spending weeks on complex techniques. This works equally well for concert programming, special events, or as a showcase for two developing soloists.

How to get the most out of it

  • Establish a strong partnership between the two clarinet lines. The dialogue between first and second parts drives the momentum, so balance clarity with unity rather than spotlighting one player.
  • The keyboard part anchors the whole texture. Work closely with your pianist or organist to lock in rhythmic precision, especially in the opening statements where the keyboard defines the harmonic foundation.
  • Shape the melodic contours with phrasing that reflects the ceremonial character. Handel's ornamental passages should feel graceful, not rushed, even when moving quickly through running figures.
  • Let the natural buoyancy of the Baroque idiom guide your articulation choices. Clean, light tonguing honors the period style and keeps the texture transparent.

How to use it

Open a concert with this piece to establish an elegant tone and create immediate engagement. Its formal yet exuberant character also makes it fitting for weddings, academic events, or any occasion requiring a dignified but spirited entrance.

Skills your students will build

  • Duet ensemble listening and balanced part writing at the intermediate level
  • Baroque articulation and phrasing conventions
  • Clarity and independence in fast passagework within a harmonic context
  • Collaboration with keyboard accompaniment in a stylistically grounded setting

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