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Entrance of the Queen of Sheba: Brass Quintet Score & Parts

$15.00 USD
$15.00 USD
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Entrance of the Queen of Sheba Cover Image
Entrance of the Queen of Sheba: Brass Quintet Score & Parts

Entrance of the Queen of Sheba: Brass Quintet Score & Parts

By George Frederic Handel / arr. David Marlatt

Level: Medium-Difficult

Item: 81-BQ23141
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Description
This famous and exciting piece would make a great opening to a concert or it could even be used as a recessional at a wedding service. The technical parts flow very nicely and sound more difficult than they are. There are several other arrangements of this famous piece, but they all require a piccolo trumpet. This edition is in a new key and is sure to come in handy for various events.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
UPC: 685462001743
SKU: 81-BQ23141
Instrumentation: Brass Quintet

More about this title

About the Composer: George Frederic Handel

George Frideric Handel (1685-1759) was a German-born composer who spent much of his career in England, where he became one of the most celebrated musicians of the Baroque era. His output spanned operas, oratorios, concerti grossi, and instrumental works that showcased his gift for memorable melody and structural clarity. The Entrance of the Queen of Sheba, drawn from his opera Serse, exemplifies the ceremonial grandeur and rhythmic vitality that made his music endure across centuries.

Handel's music remains central to music education because of its directness and accessibility. His compositions reward both careful study of Baroque style and straightforward musicianship, making them ideal for ensembles at the intermediate and advanced levels. Teachers and directors return to Handel repeatedly because his work teaches voice independence, phrasing, and the architecture of multi-movement forms without requiring specialized knowledge.

Why we love this

Marlatt's transposition sidesteps the piccolo trumpet requirement that limits so many other versions of this showstopper, opening it to more ensembles without compromising the piece's ceremonial swagger. The technical writing sits perfectly in the medium-difficult range: each part moves logically and lies well, so the music sounds far grander than the actual difficulty level. It's an intelligent choice for a concert opener because the piece arrives fully formed, complete, and impossible to ignore.

What to expect

Ornate yet direct, this arrangement delivers the full pageantry of a royal procession. The writing sparkles with Baroque energy, combining fanfare-like boldness with elegant counterpoint that feels ceremonial without being stuffy.

Who it's for

Brass quintets looking for a crowd-pleasing festival or contest piece that combines Baroque prestige with an approachable technical level. Directors seeking an opening movement with ceremonial impact and clear musical architecture will find this arrangement particularly effective.

How to get the most out of it

  • Establish the dotted-note rhythm cleanly during the opening fanfare. Avoid rushing the sixteenth notes that follow; let them sit comfortably within the beat.
  • Balance the harmonic texture by checking that no single voice overwhelms the others. This is contrapuntal music, and each line contributes equally to the overall effect.
  • Bring out the regal character through articulation and dynamic shape rather than tempo changes. The piece's momentum depends on steady, confident delivery.
  • Work the brass quintet as a unified voice for ceremonial passages, then shift focus to individual line independence during busier sections. This contrast is central to Handel's style.

How to use it

Program this as an opening statement for any concert where you want to establish confidence and elegance immediately. It works equally well as a recessional at formal events, and its contest-ready polish makes it a strong choice for festival programming when you want to showcase your quintet's blend and articulation.

Skills your students will build

  • Baroque articulation and phrasing conventions
  • Balanced ensemble voicing in contrapuntal writing
  • Dotted-note rhythmic precision
  • Ceremonial and fanfare style characteristics
  • Extended range and technical clarity in brass quintet scoring

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