Entrada (An Overture for Band): B-flat Bass Clarinet
By Michael Story
Grade: 1 (Very Easy)
Item: 00-PC-0014675_BC
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Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Entrada (An Overture for Band): B-flat Bass Clarinet comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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About the Composer: Michael Story
Michael Story is a prolific composer and arranger whose output spans educational concert band, jazz ensemble, and wind band literature. His works appear regularly on festival programs across North America, where they are valued for their craft, accessibility, and musical substance. Story has an exceptional gift for writing music that serves student musicians without condescension, allowing young ensembles to experience genuine musicianship at appropriate technical levels.
A respected voice in music education publishing, Story understands the pedagogical needs of beginning and intermediate bands. His compositions balance compositional ambition with the realities of school ensemble classrooms, creating repertoire that challenges students to grow while remaining fully playable by ensembles at their stated level.
Why we love this
A well-proportioned overture that teaches formal structure through direct, engaging musical statements rather than abstract discussion. The A-B-A design is immediately audible to listeners and players alike, making this an ideal teaching vehicle for bands encountering classical form in a contemporary context. Story's marcato writing at Grade 1 gives young ensembles accessible material that still demands rhythmic precision and dynamic control.
What to expect
Entrada opens with confident, declarative marcato gestures that establish an almost ceremonial mood, then yields to a genuinely singing melodic passage that invites the ensemble to experience lyrical expression. The return to the opening material arrives as a satisfying affirmation, giving the piece a sense of architectural completeness despite its brevity. Throughout, there is a refined quality to the writing that respects both the players and the audience.
Who it's for
Grade 1 concert bands seeking accessible yet musically substantive overture material. Directors developing student understanding of A-B-A form will appreciate how clearly Story's design communicates; the piece works equally well as a concert opener or as part of a thematic program exploring classical forms. Beginning bands ready for their first formal concert piece will find this engaging and achievable.
How to get the most out of it
- Emphasize the rhythmic clarity of the marcato sections; crisp articulation throughout the opening and closing segments will define the piece's character and balance the flowing middle section.
- Shape the B section melodically by assigning the primary theme to your strongest voice and allowing the ensemble to support with warm, sustained harmonies rather than prominent counterlines.
- Use the two-minute duration to establish a confident tempo that allows the marcato material to speak clearly without rushing; give yourself room to breathe between the contrasting sections.
- Balance the dynamic shift from bold opening to singing melody by having the ensemble pull back in intensity during the B section, then rebuild energy for the final A restatement.
How to use it
Program Entrada as an opening selection where you want to establish ensemble focus and musicianship immediately; its two-minute length allows room for larger concert works while its formal clarity makes an excellent first impression. Use it in a concert exploring musical form alongside other accessible works, or pair it with contrasting Grade 1 selections to demonstrate the range of expression available at this level. It also serves well as a festival or concert band competition piece where clean execution and musical maturity are valued.
Skills your students will build
- Recognizing and responding to A-B-A (ternary) form
- Marcato articulation with consistent rhythmic precision
- Dynamic contrast between bold statements and lyrical passages
- Maintaining ensemble balance during thematic transitions
- Shaping sustained melodic lines with appropriate phrasing