Enigma Variations: Variations on an Original Theme, Op. 36 Cover Image

Enigma Variations: Variations on an Original Theme, Op. 36: Full Orchestra Conductor Score and Parts

$29.95 USD
Sale price  $29.95 USD Regular price 
Skip to product information
Enigma Variations: Variations on an Original Theme, Op. 36 Cover Image

Enigma Variations: Variations on an Original Theme, Op. 36: Full Orchestra Conductor Score and Parts

By Edward Elgar

Item: 36-S000501

$29.95
Shipped

One moment…

Description
In October of 1898, Edward Elgar returned home after a long day of teaching, ate dinner, then sat down at the piano to doodle on the keys. Elgar described what followed:

 

“In a little while, soothed and feeling rested, I began to play, and suddenly my wife interrupted by saying: ‘Edward, that's a good tune.' I awoke from the dream. ‘Eh! Tune, what tune!' And she said, ‘Play it again, I like that tune.' I played and strummed, and played, then she exclaimed: ‘That's the tune.' The voice of [my wife] asked with a sound of approval, ‘What is that?' I answered, ‘Nothing – but something might be made of it.'”

 

This tune is what became the theme to one of the greatest works in the orchestral repertoire, VARIATIONS ON AN ORIGINAL THEME or the ENIGMNA VARIATIONS. Elgar called the variations "Enigma," not to be thought of as a riddle so much as a "dark saying [that] must be left unguessed.," though he also hinted that a hidden melody is also embedded within the music. Each of the fourteen variations functions as a musical caricature of a specific friend, starting with his wife Alice ("C.A.E."), and ending with himself ("E.D.U."). The middle variations refer to: II. "H.D.SP." (Hew David Steuart-Powell), III. "R.B.T." (Richard Baxter Townshend), IV. "W.M.B." (William Meath Baker), V. "R.P.A." (Richard Penrose Arnold), VI. "Ysobel" (Isabel Fitton), VII. "Troyte" (Arthur Troyte Griffith), VIII. "W.N." (Winifred Norbury), IX. "Nimrod" (Augustus J. Jaeger), X. "Dorabella" (Dora Penny), XI. "G.R.S." (George Robertson Sinclair), XII. "B.G.N." (Basil George Nevinson), XIII. "***" (possibly Lady Mary Lygon of Madresfield). The work premiered in 1899 at St. James Hall in London, conducted by Hans Richter, and acheived immediate popularity, establishing Elgar's international reputation. Elgar did quickly revise the final variation, adding 96 new bars of music and an organ part, which is how the work is usually performed today. Istrumentation: 2(2dPicc).2.2.2+CBsn: 4.3.3.1: Timp.Perc(1): Org(opt): Str (9-8-7-6-5 in set). The conductor's score and parts are available from E. F. Kalmus.

Enigma Variations: Variations on an Original Theme, Op. 36: Full Orchestra Conductor Score and Parts isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Kalmus Study Score Series
Publisher: Keiser Productions, Inc.
ISBN10: 1-63-887398-4
ISBN13: 978-1-63-887398-3
UPC: 660355072055
SKU: 36-S000501
Instrumentation: Full Orchestra

More about this title

About the Composer: Edward Elgar

Edward Elgar (1857-1934) stands as one of the defining figures of British classical music, a composer who elevated English orchestral writing to international prominence at a time when the nation's musical voice had been largely dormant. Born in Worcester, Elgar was largely self-taught, drawing from his work as a violinist, conductor, and organist to develop an instinctive mastery of orchestration and dramatic pacing. His late-Romantic style combines sweeping melodic gift with sophisticated harmonic language, and his Enigma Variations remains his most performed work worldwide.

Elgar's output spans symphonies, concertos, choral works, and chamber music, but his genius for orchestral color and emotional narrative made him the natural choice to compose the coronation ode for Edward VII and later settings for major British occasions. His influence on 20th-century British composers was profound, establishing a tradition of lyrical, expansive orchestral thinking that resonates in concert halls to this day.

Why we love this

Enigma Variations offers conductors a work that combines technical sophistication with immediate emotional impact, allowing orchestras at semi-professional and advanced amateur levels to play genuinely great music without requiring the ensemble size of a full symphony. The variations are discrete enough that rehearsal can proceed in focused blocks, yet they build toward a unified whole, and the personal stories behind each variation create natural opportunities for program notes and engaging storytelling with audiences.

What to expect

Enigma Variations unfolds as a series of intimate musical portraits rendered in full orchestral dress, moving from affection and humor through introspection to triumphant self-assertion. The work carries a distinctly English sensibility, nostalgic without being maudlin, and the interplay between orchestral sections creates a conversational quality that makes chamber orchestration sing. By the final variation, the work achieves an almost ceremonial grandeur, a culminating statement that feels both deeply personal and universally resonant.

Who it's for

Advanced amateur and semi-professional orchestras, college-level ensembles, and community orchestras seeking a major 19th-century work that showcases orchestral color and musicianship without requiring an enormous roster. Conductors preparing for regional festivals, pops concerts, or milestone repertoire will find Enigma Variations deeply rewarding; it rewards careful rehearsal and yields significant returns in artistic satisfaction.

How to get the most out of it

  • Balance the theme in its original form with clarity and simplicity before variations begin; the writing is deliberately understated, and Elgar's restrained orchestration here sets the stage for what follows.
  • Treat each variation as a distinct character study rather than a continuous narrative; the interruptions and shifts in tempo between sections should feel like new arrivals, not smooth transitions.
  • Shape the Nimrod variation (IX) with particular attention to breadth and breath; it is the emotional center of the work and rewards generous phrasing in the principal melodic lines.
  • Secure the final variation (E.D.U.) with rock-solid rhythmic foundation in the low strings and brass; Elgar's self-portrait demands confidence and grandeur.

How to use it

Program Enigma Variations as an orchestral centerpiece on a concert celebrating British composers, or pair it with a complementary work from Elgar's catalog such as the Pomp and Circumstance marches. The work's 45-minute span and natural momentum make it an ideal anchor for a program built around 19th-century romantic orchestral music, and its popularity with audiences ensures strong ticket appeal for concert series.

Skills your students will build

  • Conducting sustained phrases across multiple variations and managing tempo relationships between contrasting sections
  • Orchestral balance and transparency in late-Romantic texture, particularly in woodwind and string layering
  • Interpreting character and mood through orchestral color without explicit program notes
  • Managing rhythmic precision in fast variations while maintaining lyrical flow in slower sections
  • Coordinating independent instrumental lines that interact without doubling or overwhelming solo voices

You May Also Like