Encores for Solo Singers Cover Image

Encores for Solo Singers: Medium Low Voice Book

$15.99 USD
Sale price  $15.99 USD Regular price 
Skip to product information
Encores for Solo Singers Cover Image

Encores for Solo Singers: Medium Low Voice Book

11 Exceptional Vocal Solos for Recitals, Concerts, and Contests

Ed. Jay Althouse

Item: 00-21832

$15.99
Shipped

One moment…

Description
Alfred's newest addition to the . . . for Solo Singers series offers 11 masterful vocal solo settings, designed to bring down the house or add the perfect final closing sentiment to your presentation. Well-known composers/arrangers Jay Althouse, Sally Albrecht, and Mark Hayes are all represented in this collection. Titles: Battle Hymn of the Republic * Bringing in the Sheaves * Danny Boy * Dry Bones * Finale from The Gondoliers * Give My Regards to Broadway * May You Always Have a Song * O Holy Night * Simple Gifts * Song of Peace * You Made Me Love You. Accompaniment CDs are available for both Medium High and Medium Low voices.

Encores for Solo Singers: Medium Low Voice Book isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: For Solo Singers
Publisher: Alfred Music
Page Count: 80
ISBN10: 0-7390-3239-9
ISBN13: 978-0-7390-3239-8
UPC: 038081212234
SKU: 00-21832

More about this title

About the Creator: Jay Althouse, Sally Albrecht, and Mark Hayes

Jay Althouse, Sally Albrecht, and Mark Hayes each bring distinct voices to vocal arranging. Althouse's work spans sacred and secular settings with an ear for singable lines and supportive harmonies. Albrecht and Hayes have established themselves as trusted names in choral and solo vocal music, known for respecting the integrity of familiar melodies while crafting arrangements that enhance rather than overshadow the singer.

Together, these three arrangers represent a collaborative approach to building a collection that serves working singers in real performance contexts. Their combined experience means every selection in this book has been tested in the rehearsal room and on stage.

Why we love this

The real strength here is the range of moods and contexts. You get sacred standards like O Holy Night and Simple Gifts alongside showstoppers like Give My Regards to Broadway and You Made Me Love You, so you're never forced to choose between programming what your singer wants to perform and what fits the occasion. The arrangers understand pacing and vocal health; these are settings that let a voice shine without exhausting it.

What to expect

This collection balances familiar comfort with genuine artistry. You'll find beloved melodies rendered with respect and craft, settings that feel both accessible and sophisticated. Each piece invites the singer to inhabit the music rather than simply display it.

Who it's for

Solo singers at the intermediate level who need reliable repertoire for competitions, recitals, or community performances. Directors seeking quality encore material that doesn't require commissioning or deep score study. Vocal students building a diverse audition or performance portfolio.

How to get the most out of it

  • Study the accompaniment recording before rehearsal begins. Knowing the harmonic language and tempo helps singers internalize their line faster and eliminates guesswork about interpretation.
  • Identify the emotional center of each piece early. Whether it's the vulnerability in Danny Boy or the drive in Battle Hymn of the Republic, the arrangement serves that core feeling, so lean into it rather than fighting it.
  • Pay attention to the bridge or key moments where the accompaniment shifts texture. These often signal where the soloist should breathe musically, not just physically.

How to use it

Use these as true encores: program one or two at the end of a recital or concert when you want to send the audience out on a specific note, whether that's patriotic fervor, spiritual reflection, or theatrical joy. They also work well as standalone performance pieces in competitions or community events where a single strong selection matters more than a full program.

Skills your students will build

  • Interpretation of familiar melodies across multiple genres (spiritual, patriotic, theatrical, sacred)
  • Sustained legit singing technique across a range of vocal demands
  • Musical storytelling within shorter forms
  • Collaboration with accompaniment, tracking harmonic support
  • Stylistic flexibility and authentic character work

You May Also Like