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Emerald Suite: Concert Band Conductor Score & Parts

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Emerald Suite: Concert Band Conductor Score & Parts

By Dwayne Milburn

Grade: 4

Item: 36-M915802

$125.00
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Description
Each of the three movements of this work uses a particular section of the North Texas State Alma Mater as its formative material, since it was commissioned in honor of Dennis Fisher and his 25 years of service to the North Texas State community. The Rondo is mostly in 7/8 and 6/8 time and is highly energetic, though it ends quietly. The Air is gentle and lyrical as it builds to powerful climax and then recedes to the same gentle mood that uses to open the movement. The March provides a perfect balance to the other movements and ends with great excitement. Each of these three movements stands well on their own and can be programmed either separately or in their entirety.

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Additional Details
Series: Master Band Series - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-57-134422-5
ISBN13: 978-1-57-134422-9
UPC: 746241205605
SKU: 36-M915802
Instrumentation: Concert Band

More about this title

Why we love this

Milburn crafts three distinct movements that each stand as complete statements, giving you real flexibility in how you program this work. The mixed-meter Rondo alone (7/8 and 6/8) offers valuable rhythmic challenges without forcing you to commit the full 10-plus minutes, while the Air and March provide compelling foils to each other. The alma mater foundation gives the piece institutional meaning without ever feeling like a novelty.

What to expect

The Rondo crackles with forward momentum despite its complex meters, the Air unfolds as an intimate conversation that blossoms into something majestic before returning to quiet reflection, and the March radiates confidence and closure. Together, they capture the ceremonial dignity of an alma mater while keeping the energy young.

Who it's for

Concert bands at the Grade 4 level looking to develop rhythmic sophistication and expressive range. Directors programming a concert or commissioning commission-inspired works will find the three-movement structure ideal for flexible programming.

How to get the most out of it

  • Balance clarity in the 7/8 and 6/8 sections of the Rondo by anchoring your rhythm section's pulse early in rehearsal; students often hear these meters as unstable, so lock them in before layering melodic content.
  • Shape the Air's arch deliberately: use the opening gentle section to establish the lyrical character, then build the climax with dynamic control rather than just playing louder, and trust the quiet receding section to land with impact.
  • Let the March breathe in its final excited section; excitement lives in crisp articulation and exact rhythmic alignment, not rushed tempos.

How to use it

Program all three movements as a single work to anchor the second half of a concert, or use the March as a stirring finale and the Rondo as a showpiece for your rhythm section's capabilities in a separate set. The Air works beautifully as a reflective centerpiece between heavier works.

Skills your students will build

  • Reading and performing mixed meters (7/8, 6/8, 4/4)
  • Shaping lyrical phrases across multiple phrases and dynamic arcs
  • Balancing energetic articulation with rhythmic precision
  • Coordinating independent melodic lines while maintaining sectional rhythm

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