Emerald Spring Cover Image

Emerald Spring: String Orchestra Conductor Score

$10.00 USD
Sale price  $10.00 USD Regular price 
Skip to product information
Emerald Spring Cover Image

Emerald Spring: String Orchestra Conductor Score

Based on The Maid of Banbridge

Arranged by Erica Donahoe

Grade: 1.5

Item: 00-50832S

$10.00
Shipped

One moment…

Description
Emerald Spring, written by Erica Donahoe, is perfect for a spring concert. Opening with a melodic air and finishing with a rollicking jig, students and audiences will enjoy the variety offered here. Students have the opportunity to work on lush harmonies and vibrato in the slower section and then explore 6/8 in the jig section of the piece. (2:15)

Emerald Spring: String Orchestra Conductor Score isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Highland/Etling String Orchestra
Publisher: Alfred Music
ISBN10: 1-4706-6618-9
ISBN13: 978-1-4706-6618-7
UPC: 038081584799
SKU: 00-50832S

More about this title

Why we love this

Donahoe structures this piece to give your ensemble real work across two distinct musical worlds. The opening air builds vibrato and harmonic awareness in a lyrical context, while the jig section introduces 6/8 meter with rhythmic energy that keeps players engaged and audiences entertained. It's a piece that sounds sophisticated without overreaching the technical capacity of younger orchestras.

What to expect

Emerald Spring opens with the quiet introspection of a pastoral melody, soft and unhurried, inviting players to shape phrases with care. It then shifts into the brisk, fiddle-driven energy of a traditional jig, where the ensemble drives forward with rhythmic vitality and folk character.

Who it's for

String orchestras at the 1.5 grade level benefit most from this piece. It works well for ensembles ready to handle contrasting sections and basic vibrato instruction, and it programs beautifully in spring concerts where lighter, folkloric material shines.

How to get the most out of it

  • Balance the melodic voices carefully in the air section so the primary tune reads clearly above the harmonic foundation. This becomes easier when students understand they're supporting a narrative rather than merely filling texture.
  • Establish a steady pulse before entering the jig; the metric shift from the air to 6/8 can catch ensemble members off guard if the conductor doesn't telegraph the transition clearly.
  • Let the jig breathe rhythmically. Young players often rush compound meters, so mark the conductor's beat to emphasize the two strong pulses within each measure rather than subdividing into six.

How to use it

This piece fits naturally into a spring concert as a contrast to more classical works. Its folk foundation and moderate length also make it an excellent choice for festival or contest settings where variety and approachability matter alongside musicianship.

Skills your students will build

  • Vibrato technique and control in lyrical contexts
  • Reading and performing in 6/8 meter
  • Balancing ensemble texture when supporting a primary melodic line
  • Stylistic awareness of folk and traditional music idioms

You May Also Like