Embraceable You: 4th B-flat Trumpet

Darmon Meader's arrangement captures the sophistication of Gershwin's original while fitting comfortably into a working jazz ensemble's capability at this level. The optional flugelhorn parts add textural depth without compromising accessibility, and the written tenor sax solo gives students a chance to explore the melody's inherent swing phrasing rather than improvising over changes.

Warm and sophisticated, with the unmistakable Gershwin melodic gift shining through swing-inflected harmonies. The piece has an intimate quality despite its orchestral texture, inviting both performers and listeners into the romantic character of the original song.

Jazz ensemble directors working with students at the Grade 3-3.5 level who want a recognizable standard that doesn't sacrifice musicality for accessibility. This chart suits groups preparing for festival performance or concert programming that pairs well with other jazz repertoire.

• Keep the swing feel grounded in a relaxed triplet feel; the 120 BPM tempo can tempt sections to rush, but the richness of the harmony depends on musicians settling into the pocket.
• Balance the lead trumpet's written high C passages by ensuring the section breathes together and doesn't press for volume in the upper register; control and tone matter more than force.
• Let the tenor sax solo breathe as a feature moment; it's written for a reason, so accompany it with restraint from the rhythm section and give the soloist space to interpret the phrasing.
• If using the optional flugelhorns, blend them carefully with the trumpet section during tutti passages so they enhance rather than muddy the overall color.

Program this as a showpiece within a jazz concert alongside uptempo features and blues-based material; its medium tempo and lyrical quality provide effective programming contrast. It also works well as a contest or festival selection where its recognizable melody and professional arrangement earn strong adjudication scores.

• Swing feel articulation and subdivision at moderate tempo
• Balancing written melody with accompaniment texture
• Lead trumpet range extension (written to high C) with tonal control
• Ensemble cohesion during harmonic complexity
• Section-specific roles (sax solo interpretation, optional flugelhorn color blending)