Elizabethan Dance Cover Image

Elizabethan Dance: Concert Band Conductor Score & Parts

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Elizabethan Dance Cover Image

Elizabethan Dance: Concert Band Conductor Score & Parts

By Mark Williams

Grade: 1 (Very Easy)

Item: 00-29437

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Description
Experience the merry sounds of Olde England in this easy, but authentic sounding work in the Renaissance style. Written in a mixture of mixolydian and major tonalities, this piece is a great tool for exposing students to the sounds and traditions of an essential time in musical history. This is an excellent selection for working on dynamic control and playing with delicacy. (2:00)

Correlated with Accent on Achievement, Book 1, page 19. This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Elizabethan Dance: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Accent on Achievement
Publisher: Alfred Music
Page Count: 120
ISBN10: 1-4706-5766-X
ISBN13: 978-1-4706-5766-6
UPC: 038081322346
SKU: 00-29437

More about this title

About the Composer: Mark Williams

Mark Williams

Mark Williams composed over 200 works for school bands, orchestras, and choirs, establishing himself as a trusted voice in music education. His tenure teaching elementary band in Washington, combined with his role as co-author of the Accent on Achievement Band Method, shaped how generations of young musicians developed their craft. Williams earned degrees from Eastern Washington University and performed professionally on bassoon while serving as conductor and arranger for the 560th Air Force Band.

Throughout his career, Williams traveled extensively as a clinician and guest conductor across 34 states, five Canadian provinces, and Australia, sharing his compositional and pedagogical philosophy with teachers and students. His awards include recognition from the Western International Band Clinic's Gralia Competition and multiple ASCAP Special Awards. Beyond his prolific publishing output, he remained an active performer with the Spokane British Brass Band, where he served as Conductor and Artistic Director.

Why we love this

Williams writes accessible music that never talks down to young players. The Renaissance style and modal harmonies introduce authentic historical sounds while remaining straightforward to execute, making this an ideal piece for building both musicianship and cultural awareness at Grade 1. The emphasis on dynamic control and delicate playing transforms a simple arrangement into an opportunity for genuine artistry.

What to expect

The piece evokes a lively Renaissance faire with clear, dancing rhythms and a transparent texture that lets every part shine. Its modal harmonies create an archaic yet approachable sound, never sounding old or dusty, but rather fresh and energetic.

Who it's for

Grade 1 bands preparing for early-season concerts and festivals benefit from the manageable technical demands and immediate musical payoff. Teachers introducing students to historical styles and non-standard harmonic language will find this piece both educationally valuable and genuinely musical to hear.

How to get the most out of it

  • Balance the melodic line across sections rather than featuring a single voice; the interweaving parts create the Elizabethan texture only when all voices maintain their distinct lines with clarity.
  • Explore the contrast between the mixolydian and major tonalities by adjusting articulation and tone quality subtly between sections; slight changes in vowel shape and tonguing style can highlight the modal character.
  • Take the tempo at a comfortable walking pace that allows for clean rhythmic precision without rushing the shortest note values.

How to use it

Open a concert with this work to set a distinctive, historically informed tone for your program, or pair it with other Grade 1 selections to demonstrate your band's range and precision. Its two-minute length and contest-friendly difficulty make it ideal for festival competition or a fall concert where building early confidence matters.

Skills your students will build

  • Playing in mixolydian and major tonalities
  • Dynamic control and delicate ensemble balance
  • Recognition of Renaissance and historical musical styles
  • Transparent voice leading and independent part awareness

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