Elijah and Joshua: TTB (Staging Suggestions Included) Choral Octavo
Elijah Rock / Rock-a My Soul / Joshua Fit the Battle
Arr. Sally K. Albrecht
Item: 00-PO-0000457
Minimum order quantity: 20 copies
Pickup currently not available
Related Items
Elijah and Joshua: SATB Choral Octavo |
$2.25
|
View | |
Elijah and Joshua: 3-Part Choral Octavo |
$2.05
|
View | |
Elijah and Joshua: 2-Part/SSA Choral Octavo |
$2.25
|
View | |
Elijah and Joshua: SATB Choral Octavo |
$2.25
|
View | |
Elijah and Joshua: 2-Part/SSA Choral Octavo |
$2.25
|
View | |
Elijah and Joshua: TTB (Staging Suggestions Included) Choral Octavo |
$2.25
|
View | |
Elijah and Joshua: Choral Octavo SoundTrax CD |
$27.99
|
View |
Description
Elijah and Joshua: TTB (Staging Suggestions Included) Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.
Tell us you want it.
Explore everything that's ready to play right now.
Sample Audio
Sample Video
Additional Details
More about this title
About the Arranger: Sally K. Albrecht

Sally K. Albrecht has shaped American choral music for over three decades, first as Director of School Choral, Vocal, and Elementary Publications at major educational publishers including Alfred Music, and continuously as a prolific composer and arranger with more than 600 choral works and 75 larger musicals in print. An ASCAP award recipient since 1987, she has conducted honor choirs at prestigious venues including Lincoln Center, Carnegie Hall, and The Kennedy Center, and has taught at Oakland University, Jersey City State College, and Meredith College.
Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976) and the University of Miami (M.A. in Drama, 1977; M.M. in Accompanying, 1979). Her work is particularly distinguished by her integration of movement and staging with choral music. In 2021, she received the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College, where she serves on the Board of Trustees.
Why we love this
This arrangement layers three spiritual classics into a single, cohesive powerhouse that keeps the energy relentless from the opening ostinato through the final chord. The staging suggestions built into the score transform what could be a standard choral piece into genuine theater, giving singers something physical to commit to alongside the music. The mesmerizing left-hand piano rhythm is infectious enough to drive rehearsals forward on its own.
What to expect
Propulsive and jubilant, with a sizzling rhythmic engine that propels three beloved spirituals into fresh territory. The minor key version of "Joshua Fit the Battle" shifts the expected emotional register into something more contemplative yet equally powerful, creating a journey that feels both familiar and surprising.
Who it's for
TTB choirs from middle school through adult levels who want a high-impact spiritual arrangement that works for concert, festival, and contest settings. Directors seeking material that excites singers while offering built-in visual storytelling will find the staging framework particularly valuable.
How to get the most out of it
- Lock the rhythm section into that opening ostinato before adding vocal entrances; it's the heartbeat of the entire arrangement and must be absolutely steady.
- Balance the entwined melodies carefully in the middle section so each spiritual's signature line stays audible rather than disappearing into chordal texture.
- Commit fully to the staging suggestions during rehearsal, not just in performance; physical engagement will deepen the musicality and boost ensemble confidence.
- Layer in the SoundTrax accompaniment during final rehearsals to let singers feel the orchestration's drama without losing ownership of their own lines.
How to use it
Program this as an opener or high-energy closing number for a concert centered on American choral traditions, where its rhythmic momentum can set or sustain the emotional tone. It also works powerfully in a set of spirituals arranged in contrasting styles, showing students how the same beloved melodies can be reinterpreted for different voicings and dramatic purposes.
Skills your students will build
- Reading and sustaining ostinato patterns while singing independently
- Balancing independent melodic lines within dense choral textures
- Coordinating vocal performance with staged movement and choreography
- Performing in minor tonality while maintaining spiritual authenticity
- Responding to rhythmic precision and ensemble syncopation