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Elijah: SATB or SSAATTBB Choral Book

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Elijah Cover Image

Elijah: SATB or SSAATTBB Choral Book

By Felix Mendelssohn

Item: 00-K06301

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Description
Mendelssohn's famous oratorio, "Elijah," was written in 1846 and depicts various events in the life of the Biblical prophet Elijah, taken from the books 1 Kings and 2 Kings in the Old Testament. Choral score only, without piano accompaniment. Text is in English.

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Additional Details
Series: Kalmus Edition
Publisher: Alfred Music
Page Count: 112
ISBN10: 0-7692-6697-5
ISBN13: 978-0-7692-6697-8
UPC: 029156036138
SKU: 00-K06301

More about this title

About the Composer: Felix Mendelssohn

Felix Mendelssohn (1809-1847) was a German composer whose works bridged Baroque counterpoint with Romantic sensibility. His oratorios, particularly "Elijah" and "Saint Paul," established him as a master of large-scale choral writing and helped define the nineteenth-century oratorio tradition. Mendelssohn's clarity of orchestration, command of fugal writing, and gift for memorable melody made him one of the most performed composers of his era.

Why we love this

"Elijah" offers your choir access to one of the Romantic era's most dramatically compelling oratorios without requiring a full orchestra. The choral writing balances moments of intimate homophony with sophisticated counterpoint, and Mendelssohn's gift for setting English text clearly means singers can communicate the narrative arc effectively. Directors appreciate how the work's narrative structure and emotional range engage singers deeply, whether you're programming a single dramatic movement or undertaking the complete score.

What to expect

"Elijah" unfolds with operatic drama and spiritual intensity. Mendelssohn captures both the prophet's isolation and defiance against false prophets, then shifts into moments of profound faith and transcendent beauty. The choral writing spans from intimate, reflective passages to grand, sweeping affirmations that feel both intimate and monumentally scaled.

Who it's for

This score serves choirs at the collegiate, professional, and advanced amateur levels seeking substantial Romantic oratorio repertoire. Directors preparing singers for upper-level repertoire will find the work a masterclass in text setting, harmonic language, and choral architecture. It works equally well for choirs aiming to program a complete oratorio experience or selecting showcase movements for concert programming.

How to get the most out of it

  • Prepare the recitatives and ariosos with careful attention to text stress and natural speech rhythm; Mendelssohn's English prosody rewards clarity over strict metric regularity.
  • Shape the fugues by identifying their subject entries and ensuring inner voices remain transparent; thick, undifferentiated texture obscures the architectural beauty of Mendelssohn's counterpoint.
  • Differentiate between the prophet's personal anguish and the broader choral commentary through dynamic control and vowel placement; many movements function as emotional turning points.
  • Balance SATB and SSAATTBB sections carefully if performing movements that use both voicings; ensemble blend matters more than volume when the texture expands.

How to use it

Consider programming standout movements such as the dramatic opening chorus or the triumphant finale as showcases of choral power and sophistication. For choirs with the resources and rehearsal time, undertaking the complete oratorio creates a major programming event that anchors a season. The work pairs naturally with other Romantic oratorio traditions or as a centerpiece for a sacred music festival.

Skills your students will build

  • Reading and performing English prosody within complex harmonic language
  • Executing fugal writing with transparent voice leading and accurate subject entries
  • Managing extended dynamic and textural contrasts across a large-scale form
  • Balancing SATB and expanded SSAATTBB voicings within the same work
  • Interpreting recitative and arioso passages with musical freedom and dramatic intent

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