Élévation Cover Image

Élévation: String Orchestra Conductor Score & Parts

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Élévation Cover Image

Élévation: String Orchestra Conductor Score & Parts

By Louise Farrenc / arr. Deborah Baker Monday

Grade: 2

Item: 00-51969

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Description
Feature the stunning music of Louise Dumont Farrenc, former professor at the Paris Conservatory. Taken from Farrenc's collection of 20 etudes, this arrangement of Élévation is expertly orchestrated by Deborah Baker Monday, who has kept the endearing musical sophistication of the original despite its technical simplicity. A wonderful addition to any program regardless of grade level. (2:15)

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Additional Details
Series: MakeMusic Intermediate Strings
Publisher: MakeMusic Publications
ISBN10: 1-4706-7322-3
ISBN13: 978-1-4706-7322-2
UPC: 038081595474
SKU: 00-51969

More about this title

About the Composer: Louise Farrenc

Louise Farrenc (1804-1875) was a pianist, composer, and pedagogue who broke significant barriers in 19th-century French musical life. She served as professor of composition at the Paris Conservatory, one of the first women to hold such a position, and composed across multiple genres including symphonies, chamber music, and pedagogical works.

Farrenc's legacy rests on her ability to write music that was both structurally rigorous and deeply musical. Her 20 etudes for solo instrument remain teaching staples because they balance technical development with genuine artistic content, refusing the sterile drill-work that characterized many etude collections of her era.

Why we love this

Deborah Baker Monday's orchestration opens up Farrenc's elegant writing to an ensemble context without diluting what made the original so distinctive. A Grade 2 piece that doesn't condescend to its players gives students genuine repertoire to sink their teeth into, and this arrangement proves that technical accessibility and musical substance aren't at odds.

What to expect

Élévation unfolds with quiet elegance and lyrical grace. The piece breathes with the refinement of French salon tradition, offering moments of genuine lyrical warmth alongside passages that sparkle with technical clarity.

Who it's for

String orchestras at the intermediate level benefit from repertoire that respects both their developing abilities and their musical intelligence. This arrangement serves ensembles building toward more complex scores while working with material worthy of serious preparation.

How to get the most out of it

  • Shape the melodic line with clear phrase contours rather than playing mechanically through the technical passages. Farrenc's etudes reward intentional phrasing.
  • Balance the voice parts so that the primary melody reads clearly even when divided across the ensemble. Check that secondary lines provide harmonic support without overwhelming the main idea.
  • Attend to the internal articulation and rhythmic precision among string sections. Technical simplicity at the individual part level requires careful ensemble coordination to sound polished.

How to use it

This works beautifully as a contrast piece in a concert pairing it with either lighter contemporary works or more substantial arrangements. Its modest length and accessible difficulty make it ideal for positioning between heavier repertoire or closing a lighter section of your program.

Skills your students will build

  • Phrasing and line shaping in classical style
  • Balance between melody and harmonic accompaniment
  • Rhythmic precision and ensemble coordination at moderate tempos
  • Reading traditional articulation and expression marks

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