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Elementary String Trios: String Duo & Ensemble, Trio

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Elementary String Trios Cover Image

Elementary String Trios: String Duo & Ensemble, Trio

By Lee Burswold

Grade: 1

Item: 36-52702511

$6.99
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Description
Perfect for those first-year students in Suzuki Book 1, this collection of original works teaches basic skills like slurs and hooked bowings, all in first position. Score only; score and parts item available separately.

Detailed Instrumentation: Violin 1, Violin 2 /Viola and Cello

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Additional Details
Series: Latham Music - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 8-888520-79-1
ISBN13: 979-8-888520-79-6
UPC: 676737802554
SKU: 36-52702511
Instrumentation: String Duo & Ensemble, Trio

More about this title

Why we love this

Burswold writes exactly what first-year trio players need: pieces that introduce new techniques without outpacing their abilities. The original works here feel composed for ensemble learning, not simplified from larger forms, which means students stay engaged with genuine musical ideas while mastering slurs and hooked bowings.

What to expect

Straightforward and purposeful, with melodies that lie naturally under the fingers and bowing patterns that feel satisfying once they click. These are pieces that let students feel competent as ensemble musicians from day one.

Who it's for

String teachers building ensemble skills with early Suzuki students who are ready to play together but need pieces that respect their technical limitations. Groups that want original repertoire designed specifically for first-position trio work, not arrangements or simplified versions of classical standards.

How to get the most out of it

  • Balance bow pressure between parts so that slurred passages speak clearly rather than becoming mushy or disconnected.
  • Work hooked bowings as a group first by playing them rhythmically on a single note together, then add pitches once the bowing pattern is secure.
  • Keep first position intonation consistent across all three instruments; use unison passages to lock in tuning before moving into harmony.
  • Let the score sit at eye level so all three players can follow cues without breaking focus on their own parts.

How to use it

Slot these into studio recitals or informal group lessons once your trio players have mastered individual fundamentals but haven't yet performed together. They also work well as stepping stones to more demanding trio repertoire later in Suzuki Book 2.

Skills your students will build

  • Slurred bowings in first position
  • Hooked bowings (multiple notes per bow direction)
  • Playing in tune within a three-part ensemble
  • Listening and balancing across trio parts
  • Following ensemble cues while maintaining individual line focus

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