Elektra, Op. 58 (complete) Cover Image

Elektra, Op. 58 (complete): Serious Opera, Keyboard Accompaniment, Vocal Score (LUDWIGMASTERS)

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Elektra, Op. 58 (complete) Cover Image

Elektra, Op. 58 (complete): Serious Opera, Keyboard Accompaniment, Vocal Score (LUDWIGMASTERS)

By Richard Strauss, Libretto by Hugo von Hofmannsthal. German text.

Item: 36-W104091

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Description
Premiered at the Dresden State Opera on January 25, 1909, ELEKTRA, Op. 58, is a groundbreaking one-act opera by Richard Strauss (1864–1949) with a libretto by Hugo von Hofmannsthal, based on Sophocles' ancient Greek tragedy. The opera follows the tormented Elektra as she obsessively seeks revenge for the murder of her father, Agamemnon, by her mother Klytämnestra and her mother's lover Aegisth. With its intense psychological portrait of the heroine and its unrelenting musical ferocity, ELEKTRA pushed the boundaries of tonality and orchestration, marking a turning point in early 20th-century opera. Though its dissonance and raw emotional power shocked early audiences, ELEKTRA is now widely hailed as a masterwork of the modern repertoire, admired for its dramatic compression, powerful vocal writing, and revolutionary orchestral color. It remains a staple of major opera houses, often serving as a showcase for sopranos capable of meeting its immense vocal and emotional demands. Reprint edition.

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Additional Details
Series: Well Tempered Press - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 8-898103-92-1
ISBN13: 979-8-898103-92-7
UPC: 660355049996
SKU: 36-W104091
Instrumentation: 16 roles (SSSSSSSAAAATTBBB): Chorus: Keyboard accomp.

More about this title

About the Composer: Richard Strauss

Richard Strauss (1864–1949) was a German composer and conductor whose career spanned the late Romantic era into the twentieth century. He revolutionized orchestral writing and operatic form through works that expanded harmonic language, challenged tonal boundaries, and deepened psychological characterization on stage. His operas and tone poems remain central to the repertoire and continue to demand the highest levels of vocal and instrumental artistry from performers.

Strauss's gift for instrumental color and dramatic storytelling made him one of the most performed composers in opera houses worldwide. His works invite singers and accompanists to engage with complex emotional landscapes and advanced musical language, offering profound rewards for those willing to meet their technical and interpretive challenges.

Why we love this

Elektra offers a complete, uncut gateway into one of opera's most psychologically intense dramas. The vocal score captures the visceral power of Strauss's orchestration in manageable keyboard form, allowing sopranos to experience the full arc of the title role without requiring a full orchestra. For opera programs, it provides a work of genuine modern repertoire gravitas that rewards serious artistic investment.

What to expect

Relentless psychological intensity. The music mirrors Elektra's obsession through angular melodic lines, thick harmonic textures, and a constant sense of forward momentum that rarely allows the listener to settle or breathe. Even in its quieter moments, a tension lurks beneath the surface; the overall effect is cathartic and deeply unsettling in the best sense.

Who it's for

Soprano singers preparing for professional or advanced university roles who possess strong musicianship, stamina, and emotional range. This score also serves accompanists and coaches working with advanced vocalists, as well as voice instructors exploring twentieth-century operatic repertoire with accomplished students.

How to get the most out of it

  • Study the text alongside the music. Hofmannsthal's language is dense and often allusive; understanding what Elektra is saying at each moment clarifies the emotional trajectory and prevents the vocal line from becoming purely technical.
  • Mark your breath points before rehearsal begins. The phrases are often long and the emotional intensity unrelenting; strategic breathing keeps the line intact without sacrificing the psychological pressure of the character.
  • Work closely with your accompanist on the harmonic language. Strauss's chromatic writing and dissonance serve the drama directly; the pianist needs to voice chords clearly so the soprano can hear her pitch relationships and emotional context.

How to use it

Program Elektra as the centerpiece of an opera showcase or graduate recital that explores modern vocal challenges. Its one-act format and concentrated emotional power also make it suitable for innovative programming alongside contemporary works that share its psychological intensity and harmonic language.

Skills your students will build

  • Singing sustained lines across wide intervallic leaps
  • Navigating chromatic and dissonant harmonic language by ear
  • Sustaining intense emotional character over extended passages
  • Collaborating with a pianist through complex, densely voiced accompaniment
  • Interpreting twentieth-century operatic language and text expression

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