Elektra, Op. 58 (complete) Cover Image

Elektra, Op. 58 (complete): Serious Opera, Orchestra Accompaniment, Conductor Score

$220.00 USD
Sale price  $220.00 USD Regular price 
Skip to product information
Elektra, Op. 58 (complete) Cover Image

Elektra, Op. 58 (complete): Serious Opera, Orchestra Accompaniment, Conductor Score

By Richard Strauss/ Libretto by Hugo von Hofmannsthal. German text.

Item: 36-A667001

$220.00
Shipped

One moment…

Description
Premiered at the Dresden State Opera on January 25, 1909, ELEKTRA, Op. 58, is a groundbreaking one-act opera by Richard Strauss (1864–1949) with a libretto by Hugo von Hofmannsthal, based on Sophocles' ancient Greek tragedy. The opera follows the tormented Elektra as she obsessively seeks revenge for the murder of her father, Agamemnon, by her mother Klytämnestra and her mother's lover Aegisth. With its intense psychological portrait of the heroine and its unrelenting musical ferocity, ELEKTRA pushed the boundaries of tonality and orchestration, marking a turning point in early 20th-century opera. Though its dissonance and raw emotional power shocked early audiences, ELEKTRA is now widely hailed as a masterwork of the modern repertoire, admired for its dramatic compression, powerful vocal writing, and revolutionary orchestral color. It remains a staple of major opera houses, often serving as a showcase for sopranos capable of meeting its immense vocal and emotional demands. Instrumentation: 4(3rd/4th dPicc).3(3rd dEH)+Heck.4+BCl+Eb+2BstHn.3+CBsn: 8(5th-8th dTTuba/BTuba).6+BTpt.3+CBTbn.1: Timp.Perc(4-5): Hp(2).Clst: 9 Str (Vn1[2].Vn2[2].Vn3[2].Va1/Vn4[2].Va2[2].Va3[2].Vc1[2].Vc2[2].Bs[3]): Vocal Soli (16 roles, SSSSSSSAAAATTBBB): Chorus. Reprint edition.

Elektra, Op. 58 (complete): Serious Opera, Orchestra Accompaniment, Conductor Score isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Kalmus Opera Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-810391-3
ISBN13: 979-889-810-3910
UPC: 605258726391
SKU: 36-A667001
Instrumentation: 4(3rd/4th dPicc).3(3rd dEH)+Heck.4+BCl+Eb+2BstHn.3+CBsn: 8(5th-8th dTTuba/BTuba).6+BTpt.3+CBTbn.1: Timp.Perc(4-5): Hp(2).Clst: 9 Str (Vn1[2].Vn2[2].Vn3[2].Va1/Vn4[2].Va2[2].Va3[2].Vc1[2].Vc2[2].Bs[3]): Vocal Soli (16 roles, SSSSSSSAAAATTBBB): Chorus

More about this title

About the Composer: Richard Strauss

Richard Strauss (1864–1949) was a German composer and conductor whose orchestral and operatic works fundamentally shaped twentieth-century music. A master of instrumental color and harmonic innovation, Strauss expanded the orchestra's expressive range through his symphonic poems and operas, which combined post-Romantic lyricism with bold dissonance and psychological depth. His collaboration with librettist Hugo von Hofmannsthal produced some of opera's most enduring masterworks, including Der Rosenkavalier and Ariadne auf Naxos, yet Elektra stands as perhaps his most audacious achievement in terms of harmonic language and dramatic intensity.

Throughout his long career, Strauss influenced generations of composers and conductors. He served as general music director in Berlin and Vienna, championed new works alongside his own, and maintained absolute control over the performance of his compositions. For conductors and singers, his operas present extraordinary technical and interpretive challenges that reward the most accomplished musicians.

Why we love this

Elektra's libretto delivers the raw psychological intensity of ancient tragedy with Hofmannsthal's poetic language, and Strauss matches it with orchestral writing of unrelenting power. The conductor score reveals layer upon layer of instrumental detail: motivic interplay across the orchestra, strategic doublings that shift the tonal landscape, and moments where the entire ensemble crystallizes into chord clusters of stunning harmonic audacity. For opera directors and music staff capable of mounting a production of this scale and complexity, it offers the rare opportunity to illuminate a work that fundamentally redefined what opera could be.

What to expect

Elektra grips the listener from the opening clash of dissonant strings and never releases its hold. The musical language oscillates between passages of hallucinatory lyricism and moments of violent, almost atonal fury, with Strauss's orchestration constantly shifting colors to reflect the heroine's fractured psyche. The cumulative effect is hypnotic and exhausting, a descent into obsession that the conductor and performers must convey with absolute conviction.

Who it's for

This conductor score serves opera companies, large regional orchestras, and advanced conservatory programs capable of fielding a full dramatic ensemble and a sophisticated vocal cast. Conductors must possess considerable operatic experience and the stamina to lead a one-act work of relentless intensity without intermission.

How to get the most out of it

  • Study the relationships between the vocal lines and instrumental figurations throughout; Strauss rarely leaves the soloists unsupported, and understanding how the orchestra underpins dramatic moments will clarify pacing and emotional architecture.
  • Mark cue points for all sixteen soloists and the chorus with absolute precision in your preparation. The score's density can obscure entries, so collaborative rehearsal with a reduced orchestra early on will establish confidence and alignment.
  • Balance the brass and woodwind sections carefully; Strauss doubles and triples instruments to build climaxes, but muddy orchestration obscures the harmonic progression. Listen for clarity in the dissonant chords rather than sheer volume.
  • Conduct the psychological trajectory of Elektra's obsession with the same specificity you would apply to a symphony. Internal tempos within scenes should reflect her mental state, even when the basic pulse remains constant.

How to use it

Elektra demands a full evening or a curated festival context dedicated to twentieth-century opera; it is not suited to mixed concert programming. Many opera houses mount it as a single dramatic statement, allowing the one-act structure and psychological intensity to dominate the evening. Some institutions pair it with a shorter, contrasting work (a lighter contemporary piece or a classical masterwork) to provide artistic breathing room, though Elektra's power typically overwhelms any companion work.

Skills your students will build

  • Reading complex orchestration with frequent doublings, divisi, and non-standard instrumental combinations
  • Identifying harmonic progression in highly dissonant contexts and maintaining tonal orientation
  • Coordinating entrances and maintaining ensemble balance across sixteen vocal soloists plus chorus and large orchestra
  • Conducting psychological narrative and dramatic pacing within a single extended act
  • Interpreting Strauss's post-Romantic idiom and understanding the historical context of early twentieth-century harmonic innovation

You May Also Like