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El Relicario: Concert Band Conductor Score & Parts

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El Relicario Cover Image

El Relicario: Concert Band Conductor Score & Parts

By José Padilla / arr. Michael Story

Grade: 1 (Easy)

Item: 00-48161

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Description
One of the most popular paso dobles ever written was penned by the Spanish composer José Padilla. Arranged for beginners, teaching opportunities presented with this familiar tune include independent articulations and balance. Off to the bullfight---musically, of course! This title is available in MakeMusic Cloud. (2:00)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, El Relicario: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Belwin Beginning Band
Publisher: Alfred Music
Page Count: 146
UPC: 038081557731
SKU: 00-48161

More about this title

About the Composer: José Padilla

José Padilla (1889-1960) was a Spanish composer and conductor whose works defined the sound of early 20th-century Spanish popular music. His gift for melody and rhythmic vitality made him one of the most performed composers in the zarzuela tradition, and his instrumental works, particularly his paso dobles, became international standards in concert and ballet repertoires.

Why we love this

El Relicario delivers everything a first-year conductor needs: a recognizable, engaging melody that keeps student musicians motivated, and genuinely useful pedagogical challenges built into the arrangement. Michael Story's orchestration forces players to listen across sections while maintaining rhythmic precision, making this a working rehearsal tool that never feels like a drill.

What to expect

A spirited march toward the arena with swagger and color. The piece captures the pageantry of the paso doble without requiring advanced technical facility, creating a genuinely exciting performance moment for a young ensemble.

Who it's for

This arrangement suits beginning concert bands in their first or second year. Students have enough technical foundation to manage independent articulations and sectional balance, while the familiar melody keeps the focus on musical development rather than note-reading anxiety.

How to get the most out of it

  • Balance the melodic line carefully across sections; this piece will sound thin if the principal voice is buried by accompaniment figures.
  • Establish a clear subdivision with the rhythm section to lock the characteristic paso doble rhythm, then gradually tighten ensemble precision until the pulse feels inevitable.
  • Shape the articulations deliberately in contrasting sections; crisp staccato in accompanying figures will highlight the legato melody when it appears.

How to use it

Program this as a concert opener or a standalone movement on a diverse concert. Its Spanish character makes it ideal for multicultural programming, and the two-minute duration fits neatly into almost any schedule without requiring a large block of rehearsal time relative to its payoff.

Skills your students will build

  • Independent articulations across sections (staccato vs. legato)
  • Dynamic balance between melody and accompaniment
  • Rhythmic precision in compound meters and syncopated rhythmic figures
  • Listening and blend within and across sections

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