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El Macho Muchacho: Jazz Ensemble Conductor Score

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El Macho Muchacho Cover Image

El Macho Muchacho: Jazz Ensemble Conductor Score

By Gordon Goodwin

Grade: 6 (Professional / Very Advanced)

Item: 00-29811S

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Description
Composed and arranged by Gordon Goodwin, this buoyant samba is sweet. Soprano sax lead and solo space available for soprano, alto, tenor, trumpet and trombone. Lead trumpet range is to written high F-sharp, and it has an auxiliary percussion part and an optional 1st alto part. This chart is exciting and dynamic! (1:26) This title is available in MakeMusic Cloud.

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Additional Details
Series: Gordon Goodwin Series
Publisher: Alfred Music
Page Count: 24
UPC: 038081320823
SKU: 00-29811S

More about this title

About the Composer: Gordon Goodwin

Gordon Goodwin

Gordon Goodwin began composing at five years old, writing complete works rather than fragments. His precocious talent led him to arrange his first big band chart, Hang Loose, at age 13. This early mastery caught the attention of film and television producers, launching a career that has earned him three Emmy Awards and multiple Grammy nominations.

Goodwin's orchestrations appear in major films including Bad Boys II, Con Air, Remember the Titans, and Star Trek: Nemesis. He has written for and performed alongside artists ranging from Christina Aguilera to Ray Charles, and has conducted leading symphony orchestras in Atlanta, Dallas, Utah, Seattle, Toronto, and London. Since 2000, he has led Gordon Goodwin's Big Phat Band, a Los Angeles-based ensemble whose albums have received Grammy recognition and pioneered DVD audio releases.

Why we love this

Goodwin writes with the ear of someone who understands both high-level ensemble craft and what makes jazz feel alive on stage. This samba crackles with accessible energy while remaining harmonically sophisticated; players at this level get genuine solo opportunities without drowning in changes, and the rhythmic drive pulls everyone forward naturally.

What to expect

Buoyant and propulsive, with the warmth of a samba and the harmonic sophistication of contemporary jazz. The writing opens space for individual voices to shine while the ensemble groove remains infectious and grounded.

Who it's for

Advanced jazz ensembles ready for professional-level writing that balances sophistication with accessibility. Directors seeking a Latin piece that excites advanced players while remaining playable without months of rehearsal.

How to get the most out of it

  • Balance the soprano sax lead against the ensemble voicings so the melody cuts through without needing heavy dynamics; Goodwin's orchestration does the work for you if you let it breathe.
  • Treat the solo space strategically in rehearsal. Assign soloists early and run their sections repeatedly so accompaniment figures feel like a foundation rather than accompaniment.
  • Pay attention to the auxiliary percussion part; it anchors the samba groove and deserves independence from the drum kit so both can lock in without stepping on each other.
  • The lead trumpet's high passages (written high F-sharp) will sing best with a relaxed embouchure and forward air support; pushing into them often creates tension that muddies the buoyancy Goodwin wrote.

How to use it

Program this as a standout in a jazz concert when you want repertoire that impresses both jazz aficionados and general audiences. At under 90 seconds, it pairs efficiently with longer works and works beautifully as a set closer or between contrasting pieces.

Skills your students will build

  • Playing samba rhythmic patterns and comping figures with precision
  • Balancing solo lines against ensemble voicings
  • Reading and executing Goodwin's contemporary harmonic language
  • Responding to lead trumpet ranges extending to high F-sharp
  • Integrating auxiliary percussion as a structural voice

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