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Eight Solo Sonatas: Trumpet & Keyboard Book

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Eight Solo Sonatas: Trumpet & Keyboard Book

By Girolamo Fantini / arr. Henry Meredith

Level: Medium

Item: 81-ST2013

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Description
This edition by renowned editor Henry Meredith is another great addition to the repertoire for solo trumpet and organ. He has brilliantly realized the continuo which provides a more interesting and appropriate keyboard part. He has added some suggested ornaments in the authentic style in the trumpet part which, along with the very detailed historical notes, gives the player insight for their performance.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55472-311-6
ISBN13: 978-1-55472-311-9
UPC: 685462008179
SKU: 81-ST2013
Instrumentation: Trumpet & Keyboard

More about this title

About the Composer: Girolamo Fantini

Girolamo Fantini (c. 1600-1675) was an Italian Baroque trumpet virtuoso and composer whose works represent some of the most technically demanding and musically sophisticated solo trumpet literature of his era. Active primarily in Bologna and Rome, Fantini was celebrated for his mastery of the natural trumpet and his ability to navigate the high register with clarity and agility. His compositions, including these sonatas, were designed to showcase the expressive possibilities of the instrument while remaining rooted in the contrapuntal and harmonic language of mid-17th-century Italy.

Fantini's solo sonatas occupy a crucial place in trumpet pedagogy because they bridge the gap between purely virtuosic display and genuine musical substance. Unlike many trumpet works of the period that prioritize sheer technical display, his sonatas demand thoughtful phrasing, control over dynamics and articulation, and a keen understanding of Baroque style. These works have become essential repertoire for performers seeking to develop authentic interpretation skills on the historical trumpet and modern Bb instrument alike.

Why we love this

Meredith's realization of the continuo transforms these sonatas into genuinely compelling keyboard partnerships rather than perfunctory accompaniments. The suggested ornaments and detailed historical notes embedded in the score provide performers with a scholarly foundation without requiring supplementary research, making this edition both musically rich and pedagogically practical.

What to expect

These sonatas carry the dignity and formal elegance of 17th-century Italian music, with passages that shift between ornate brilliance and intimate harmonic conversation. The trumpet part sits comfortably in a register where technical demands and musical expression balance perfectly, rewarding careful listeners with moments of genuine eloquence.

Who it's for

Intermediate to advanced Bb trumpet players and cornet players who are ready to engage with Baroque solo literature and want to develop period-appropriate interpretation skills. This edition also serves trumpeters preparing for auditions, recitals, or ensemble performances that require solid grounding in foundational Classical and Baroque repertoire.

How to get the most out of it

  • Approach the suggested ornaments as interpretive options rather than fixed instructions. Experiment with placement and timing, especially in cadential passages, to develop your personal ornamental vocabulary within the authentic Baroque style.
  • Work closely with your keyboardist on the realized continuo part. Understanding how Meredith has voiced the accompaniment will clarify the harmonic framework and help you shape your solo lines with greater architectural awareness.
  • Pay particular attention to the high register passages common in Fantini's writing. Build this range gradually across your practice sessions using the sonatas themselves as your training tool; the music rewards precision and control far more than raw power.
  • Study the manuscript context provided in the historical notes. Knowing whether a sonata was written for church use, court performance, or virtuosic display will inform your choices about tempo, articulation, and overall character.

How to use it

Program individual sonatas in a recital featuring Baroque brass literature, or pair them with keyboard works by Italian masters to create a mini concert within your larger concert frame. These sonatas also work beautifully as an intermission piece or as part of a mixed chamber concert showcasing the depth of historical trumpet repertoire.

Skills your students will build

  • Baroque articulation and phrasing conventions
  • Natural trumpet idiomatic writing adapted for modern Bb trumpet
  • High register control and intonation above the staff
  • Ornamental placement and style-appropriate embellishment
  • Harmonic awareness and listening to realized continuo bass lines
  • Collaborative listening with keyboard partners

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