Easy String Quartets, Vol. 1 Cover Image

Easy String Quartets, Vol. 1: String Quartet

$28.99 USD
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Easy String Quartets, Vol. 1 Cover Image

Easy String Quartets, Vol. 1: String Quartet

By Sheila Sandys-Wunsch

Grade: 2

Item: 36-52703397

$28.99
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Description
A collection of simple folk, classic, and Christmas tunes for the young ensemble. Includes piano part for rehearsal only and includes score and parts. These quartets remain mostly in first position. Contents: Czech Song, Jolly Old St. Nicholas, Good King Wenceslas, Simple Gifts, Waltz Song, Lullaby Jesu, My Paddle's Keen and Bright, This Old Man, La Russe, Romanza, and Piano Sonata in C, Op. 3 (Andre).

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Additional Details
Series: Latham Music - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-62-876074-5
ISBN13: 978-1-62-876074-3
UPC: 679360680742
SKU: 36-52703397
Instrumentation: String Quartet

More about this title

Why we love this

String quartets at Grade 2 rarely feel this musical. Sandys-Wunsch has selected repertoire that sounds genuinely worthwhile while keeping technical demands modest. Young players get to experience real four-part writing without spending weeks decoding position shifts.

What to expect

A warm, accessible journey through familiar melodies reimagined for four instruments. The tunes feel like old friends: folk songs, holiday standards, and simple classical movements that let the students focus on blend, balance, and listening rather than technical survival.

Who it's for

Young string quartet ensembles stepping into multipart writing for the first time. This collection works for chamber groups in Grade 2-3 mixed-level settings, music school ensembles, and intermediate students ready to hear themselves as a unified ensemble.

How to get the most out of it

  • Use the piano part during sectional rehearsals to lock intonation and balance. Once the ensemble solidifies, drop the piano for dress rehearsals so the quartet learns to listen integrally.
  • Establish a clear leadership structure early. Decide whether first violin leads or whether the ensemble will listen as a collective unit. Consistency matters more than which approach you choose.
  • Address bow distribution in unison passages first. Young players often rush or drag when playing the same line, so practice those sections with a metronome before layering in the other voices.
  • Pay attention to the Christmas tunes. They carry folk melody DNA that rewards slight rubato and voicing clarity. These pieces teach musicality beyond counting.

How to use it

Program these for holiday concerts, family recitals, or chamber showcases. They also work well as ensemble-building pieces mid-year when you want to reinforce intonation and part independence without introducing new technical hurdles. Consider pairing a few selections with soloists to create a varied concert flow.

Skills your students will build

  • Playing in first position across multiple string quartet contexts
  • Reading and sustaining four independent voices simultaneously
  • Listening for balance and blend in an ensemble setting
  • Intonation adjustment through harmonic listening
  • Phrasing and musicality in familiar melodic material
  • Part independence without reliance on a conductor's lead

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