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Earthrise: Mixed Ensemble

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Earthrise Cover Image

Earthrise: Mixed Ensemble

Version for SATB Choir, Semi-chorus and String Orchestra (with optional Percussion)

By Alec Roth

Item: 98-EP73224C

$102.00
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Description

Although suitable for large choirs with string orchestra, this version of Earthrise is also effective for small forces. With one-to-a-part, it may be performed by 12 singers and 5 players.

'Once a photograph of the Earth, taken from the outside, is available, a new idea as powerful as any in history will be let loose.' The astronomer Fred Hoyle's 1948 prophecy was fulfilled just twenty years later. The photograph was taken on 24 December 1968 and brought back to Earth by the astronauts of the Apollo 8 mission. The image, captioned 'Earthrise' caused a world-wide sensation on its publication early in 1969. Its influence on the nascent environmental movement was immediate and profound. The picture of our small blue planet in the vast darkness of space showed clearly its beauty, but also its vulnerability:

'It was the most beautiful, heart-catching sight of my life . . . raging nationalistic interests, famines, wars, pestilence don't show from that distance.' (Frank Borman, Apollo 8)

'It suddenly struck me that that tiny pea, pretty and blue, was the Earth. I put up my thumb and shut one eye, and my thumb blotted out the planet Earth.' (Neil Armstrong, Apollo 11).

According to that great prophet of our own day, the 'Gaia theory' scientist James Lovelock, man's hubristic claim to dominion over the Earth has led us to the brink of environmental catastrophe. He insists that if we are to come to a true appreciation of the damage we are doing, appealing to reason is not enough. We must develop an emotional connection to the Earth 'by harnessing the power of metaphor and myth, ancient wisdom and sacred texts'.

The astronauts' words find extraordinary parallels in the prophet Isaiah's evocation of a God's-eye view of the Earth: "Lift up your eyes on high and see. Who has measured with three fingers the form of the Earth? He that sits high above the globe of the Earth. Look, the nations are like a drop in a bucket! Look, the islands are like a fine dust!" These, together with other visionary words from ancient sources, provide the text for Earthrise, which is sung in Latin.

Throughout his writings Lovelock pays tribute to the importance of the Earthrise image: 'Can there have been any more inspiring vision this century than that of the Earth from space? We saw for the first time what a gem of a planet we live on. The astronauts who saw the whole Earth from Apollo 8 gave us an icon'. The music of Earthrise is a meditation on this icon and falls into three sections:

Part 1 – Man's constant drive to explore and exploit

Part 2 – Contemplation of the Earth seen from space

Part 3 – A plea for true wisdom and understanding



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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 68
ISBN10: 0-57-702116-8
ISBN13: 979-0-57-702116-4
SKU: 98-EP73224C

More about this title

Why we love this

The flexibility of this score makes it genuinely useful across programs of different sizes. A 12-singer, 5-player ensemble can deliver the full dramatic arc of this piece without compromise, which means you're not settling for a reduction—you're choosing an arrangement that was written to work at intimate scale. The subject matter carries weight without becoming didactic; the music lets the historical and environmental stakes speak for themselves.

What to expect

The music carries the awe and urgency of that December 1968 photograph. Passages open with wonder and luminosity, then deepen into reflection on fragility and responsibility. The orchestration supports the text with clarity and restraint, avoiding overwhelm in favor of contemplative power.

Who it's for

Mixed ensembles of any size from 12 singers with 5 string players up to large choirs with full orchestration. Directors programming concert music with contemporary relevance and historical substance will find this piece fits programs exploring themes of environmental awareness and human perspective.

How to get the most out of it

  • Balance the choir and strings carefully during sustained passages; the string parts support rather than dominate, so resist the impulse to swell the orchestration at the expense of text clarity.
  • Study the astronaut quotes and Lovelock's ideas before rehearsals begin so singers understand the philosophical current running through the score.
  • Mark breathing points in the choral parts early; with smaller forces, individual breaths will be heard, so coordinate them within your sections.

How to use it

Program this as a substantial centerpiece on a concert exploring Earth, environment, or human connection. It pairs naturally with other contemporary choral works or with classical pieces about nature and the cosmos. The 68-page length and mixed forces make it an excellent choice for a season finale or special-topic concert where the programming concept is as important as the music itself.

Skills your students will build

  • Balancing choir and strings in works with integrated orchestration
  • Sustaining text intelligibility across long, meditative phrases
  • Responding to programmatic content and historical context during rehearsal
  • Ensemble coordination in smaller mixed forces

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