Early One Morning Cover Image

Early One Morning: Concert Band Conductor Score

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Early One Morning Cover Image

Early One Morning: Concert Band Conductor Score

Traditional English Folk Song / arr. David Marlatt

Grade: 1.5

Item: 81-CB28132S

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Description
Early One Morning is a beautiful lyrical folksong that could be used as a band warmup or a contrasting piece on a concert program on at a festival. It starts quietly, off in the distance, then the melody enters in the low voices and gently builds. The haunting melody flows throughout the ensemble and comes to a peaceful close.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
Page Count: 12
ISBN10: 1-55473-270-0
ISBN13: 978-1-55473-270-8
UPC: 685462012718
SKU: 81-CB28132S

More about this title

Why we love this

Marlatt's arrangement captures the essence of the folksong without overcomplicating it. The orchestration builds naturally from intimate beginning to fuller ensemble sound, giving conductors a perfect teaching moment about dynamic architecture and musical storytelling. At Grade 1.5, it's accessible enough for developing bands yet musically sophisticated enough to engage both players and audiences.

What to expect

The piece unfolds like a distant memory coming into focus. What begins as a whisper gradually takes shape, the familiar melody emerging and traveling gently through the band before fading back into quietness. There's a quality of stillness throughout, even during the fuller passages—this is introspective music, not bombastic.

Who it's for

This score is written for conductors of developing concert bands who want to teach musicality and restraint alongside technical facility. The Grade 1.5 level makes it ideal for high school bands still building ensemble cohesion, as well as middle school bands ready for something beyond basic march repertoire.

How to get the most out of it

  • Start with genuine quietness in the opening measures. The 'off in the distance' opening only works if the ensemble commits to genuine softness, not just playing quietly mechanically.
  • Shape the melody entrance in the low voices as the true moment of arrival. This is where the piece's emotional center lives, so give it space and resonance rather than rushing forward.
  • Balance the haunting quality by avoiding any heaviness when the melody spreads throughout the band. Keep the tone transparent and singing, even as more instruments join.
  • Let the peaceful close breathe. Resist the urge to cut it off cleanly; allow the final sounds to fade naturally to match the opening's distant quality.

How to use it

This works beautifully as a warmup that actually matters musically, building ensemble blend and dynamic control in the first few minutes of rehearsal. On a concert, it functions as a poignant contrast to more energetic pieces, offering audiences a moment of reflection and giving your band a chance to showcase its lyrical playing.

Skills your students will build

  • Sustained legit through long phrases without vibrato heaviness
  • Dynamic control in very soft passages (ppp to p range)
  • Balance in low voice melody writing
  • Reading and executing gradual dynamic changes across an ensemble
  • Understanding musical architecture and how to build from simplicity to complexity

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