Early One Morning Cover Image

Early One Morning: Concert Band Conductor Score & Parts

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Early One Morning Cover Image

Early One Morning: Concert Band Conductor Score & Parts

Traditional English Folk Song / arr. David Marlatt

Grade: 1.5

Item: 81-CB28132

$45.00
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Description
Early One Morning is a beautiful lyrical folksong that could be used as a band warmup or a contrasting piece on a concert program on at a festival. It starts quietly, off in the distance, then the melody enters in the low voices and gently builds. The haunting melody flows throughout the ensemble and comes to a peaceful close.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
Page Count: 88
ISBN10: 1-55473-252-2
ISBN13: 978-1-55473-252-4
UPC: 685462012534
SKU: 81-CB28132

More about this title

Why we love this

Marlatt's arrangement captures the introspective quality of the folksong without demanding technical fireworks from younger players. The orchestration lets the melody breathe across the band while keeping independent parts accessible, making it genuinely rewarding to conduct and hear come together.

What to expect

The piece unfolds like a memory surfacing gradually. Low voices establish a quiet, distant atmosphere before the melody drifts in and blossoms across the ensemble, building gently toward a hushed resolution that feels both peaceful and contemplative.

Who it's for

This arrangement works for concert bands at the Grade 1.5 level seeking quality literature that doesn't require advanced technique yet still delivers musical substance. It suits ensembles looking for a piece that sounds mature and cohesive while remaining accessible to developing players.

How to get the most out of it

  • Start the opening atmosphere with careful dynamic control in the low voices; this distant quality depends on restraint and blend rather than volume.
  • Shape the melody's entrance deliberately, allowing it time to establish before other voices add texture and support.
  • Balance the gentle build throughout the middle section so the piece gains presence without losing its lyrical character.
  • Shape the final phrase to a true pianissimo close, resisting the urge to swell at the end and letting the haunting quality linger.

How to use it

This works exceptionally well as the opening number on a concert, setting a reflective tone before more energetic selections, or as an effective bridge piece between contrasting works at a festival. Its brevity and emotional impact make it ideal for warmup time when you want to establish focused, thoughtful rehearsal energy.

Skills your students will build

  • Balancing independent melodic lines while maintaining ensemble blend
  • Controlling dynamic contrasts at soft volumes
  • Shaping long lyrical phrases with deliberate pacing
  • Listening to and supporting voices other than one's own part

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