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Early One Morning: String Orchestra, Score and Parts

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Early One Morning Cover Image

Early One Morning: String Orchestra, Score and Parts

By Andrew Balent

Grade: 1.5

Item: 36-50250070

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Description
This is the perfect introduction to folk song for the young string orchestra. A rehearsal piano and optional third violin part afford the ultimate in support and flexibility.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Early One Morning: String Orchestra, Score and Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: LudwigMasters Beginning Strings
Publisher: Keiser Productions, Inc.
ISBN10: 1-62-156666-8
ISBN13: 978-1-62-156666-3
UPC: 654690524300
SKU: 36-50250070
Instrumentation: String Orchestra

More about this title

About the Composer: Andrew Balent

Andrew Balent has established himself as a composer and arranger with a gift for making standard repertoire accessible to developing musicians. His work with the Ludwig Masters series reflects a deep understanding of what young orchestras need: clear writing that doesn't condescend, supportive textures that allow for musical growth, and pieces that genuinely engage players.

Why we love this

This arrangement respects the folk melody while building genuine musicality from the first rehearsal. The optional third violin part and rehearsal piano support mean you can customize difficulty on the fly, making it equally valuable whether your section is reading at a unified level or working through mixed ability.

What to expect

Warm and unhurried. The familiar melody settles into place with a gentle ease, supported by straightforward but genuine harmonic movement. There's no rush here, just a chance to experience what happens when a simple song is played with intention.

Who it's for

String orchestras at the early-intermediate level who are learning to approach folk repertoire with musicality and respect. This works beautifully for directors building programs from scratch or transitioning students from unison into harmonic thinking.

How to get the most out of it

  • Shape the melody as a story rather than a static line. Even at this level, young players respond to the idea of a beginning, middle, and gentle arrival at the end.
  • Use the rehearsal piano during early run-throughs to establish how the harmony should breathe underneath the tune. Once students have the melody secure, gradually reduce piano support.
  • Balance ensemble sound by asking violas and cellos to play with the same ease the violins bring to the top line. Folk melodies depend on simplicity, not heaviness.

How to use it

Open a concert with this piece to set a reflective mood, or pair it with other folk-song arrangements to build a thematic program. It also serves well as a teaching piece mid-year when your ensemble has developed enough ensemble awareness to focus on phrasing and style rather than survival.

Skills your students will build

  • Recognizing and playing modal melody shapes common in folk music
  • Listening to and balancing harmonic support against a central melodic line
  • Sustaining tone quality across longer phrases at soft dynamic levels
  • Reading multiple violin parts and understanding functional arrangement
  • Responding to a conductor's shaping without losing rhythmic stability

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