Early Keyboard Music, Volume II Cover Image

Early Keyboard Music, Volume II: Piano Book

$16.95 USD
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Early Keyboard Music, Volume II Cover Image

Early Keyboard Music, Volume II: Piano Book

Ed. Louis Oesterle

Level: Advanced

Item: 00-K09841

$16.95
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Description
The pieces in this collection were all written for those predecessors of the modern pianorforte known as the virginal, harpsichord, spinet, clavichord, clavier, clavecin.

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Additional Details
Series: Kalmus Edition
Publisher: Alfred Music
Page Count: 212
ISBN10: 0-7579-2897-8
ISBN13: 978-0-7579-2897-0
UPC: 029156691245
SKU: 00-K09841

More about this title

Why we love this

This collection bridges a critical gap in the piano repertoire by presenting early keyboard music in idiomatic piano arrangement rather than requiring students to navigate unfamiliar harpsichord or clavichord conventions. Oesterle's editorial choices preserve the character of works originally composed for virginals, harpsichords, and other period instruments while making them genuinely playable on modern piano, which means advanced students encounter authentic historical music without fighting against notation designed for different instruments.

What to expect

These pieces unfold with the precision and ornamentation of music shaped by hand rather than sentiment. There is elegance in constraint, clarity in counterpoint, and a sense of discovery as you navigate passages that feel both carefully constructed and intimately personal.

Who it's for

Advanced piano students and serious amateurs seeking substantial repertoire that connects them directly to Renaissance and Baroque keyboard traditions. Teachers building comprehensive recital programs want repertoire that educates audiences about keyboard history while showcasing their students' technical maturity and historical awareness.

How to get the most out of it

  • Approach ornamentation as integral to the phrasing rather than decorative. Early keyboard composers embedded ornaments into the melodic and harmonic structure, so allow them to breathe naturally within the phrase architecture.
  • Attend carefully to texture and registration. Even though you're playing piano, imagine how these pieces would have sounded on their original instruments; that awareness informs pedal choices and voicing decisions.
  • Shape longer lines with subtle dynamic inflection rather than dramatic contrasts. The instruments these pieces were written for had limited dynamic range, and honoring that restraint maintains the music's authenticity.

How to use it

Program selections from this volume alongside standard Baroque keyboard works (Bach, Scarlatti) to establish historical context and show the breadth of early keyboard music beyond what students typically encounter. A themed recital exploring keyboard idioms across centuries gains particular weight when pieces are drawn from this collection, as they represent composers less frequently heard in concert.

Skills your students will build

  • Interpreting Renaissance and Baroque ornamentation
  • Balancing counterpoint across multiple voices
  • Understanding keyboard idiom across different historical instruments
  • Applying period-appropriate articulation and phrasing
  • Reading and executing complex early keyboard notation
  • Sustaining musical line through sparse harmonic texture

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