Dutch Treat: Jazz Ensemble Conductor Score & Parts

Mike Lewis writes for the ensemble you actually have in the room. The doubled harmonies and section work create fullness without demanding technical gymnastics, and the accessible brass ranges mean your first and second players sound equally confident. For a Grade 1 chart, this understands that young ensembles thrive when they can produce a mature sound.

A bright, energetic swing chart with a relaxed medium tempo that invites the ensemble to sit comfortably into the groove. The doubled harmonies create warmth and fullness, while the straightforward ranges and section work keep the music moving forward without unnecessary strain.

Young jazz ensembles in their first or second year of swing literature who need a chart that builds confidence without oversimplifying the sound. Directors seeking accessible Grade 1 material that still delivers a polished, professional result in performance.

• Balance the doubled sections carefully so that no single voice dominates; let the harmony breathe and blend rather than pile on volume.
• Give the written piano solo room to speak. This is a moment for showcase clarity, so ensure the rhythm section locks in behind it without rushing.
• Nail the groove at the medium swing tempo before adding dynamics. Solid time is your foundation; once that's locked, the chart's character emerges naturally.

This works beautifully as a concert opener or closer where you want to show off your ensemble's swing chops without the technical demands of a more advanced chart. At 2:25, it fits naturally into a mixed program alongside classical or pop arrangements, and it's approachable enough for festival or adjudication settings.

• Swing feel and groove articulation
• Reading and balancing section harmony
• Medium-tempo jazz phrasing and dynamics
• Supporting a solo within ensemble texture