Dumb Love: Marching Band Conductor Score & Parts
As Performed by Sean Kingston
Words and music by Bruno Mars, Philip Lawrence, Ari Levine, Carlos Battey, Steven Battey, and Clarence Quick [Sean Kingston] / arr. Ralph Ford
Grade: 3 (Medium)
Item: 00-PK-0008024
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Dumb Love: Score | $8.00 | |
| Dumb Love: Flute | $3.00 | |
| Dumb Love: 1st B-flat Clarinet | $3.00 | |
| Dumb Love: E-flat Alto Saxophone | $3.00 | |
| Dumb Love: Optional Alto Sax | $3.00 | |
| Dumb Love: E-flat Baritone Saxophone | $3.00 | |
| Dumb Love: 1st B-flat Trumpet | $3.00 | |
| Dumb Love: 2nd B-flat Trumpet | $3.00 | |
| Dumb Love: 1st F Horn | $3.00 | |
| Dumb Love: Horn in B flat | $3.00 | |
| Dumb Love: Low Brass & Woodwinds #1 - Bass Clef | $3.00 | |
| Dumb Love: Low Brass & Woodwinds #2 - Bass Clef | $3.00 | |
| Dumb Love: Low Brass & Woodwinds #1 - Treble Clef | $3.00 | |
| Dumb Love: Low Brass & Woodwinds #2 - Treble Clef | $3.00 | |
| Dumb Love: Electric Bass | $3.00 | |
| Dumb Love: Tuba | $3.00 | |
| Dumb Love: Mallets | $3.00 | |
| Dumb Love: Snare Drum | $3.00 | |
| Dumb Love: Quad-Toms | $3.00 | |
| Dumb Love: Tonal Bass Drum | $3.00 | |
| Dumb Love: Cymbals | $3.00 | |
| Dumb Love: Keyboard/Synthesizer | $3.00 | |
| Dumb Love: Drumset | $3.00 |
Parts Added to Cart!
Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Dumb Love: Marching Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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More about this title
About the Composer: Bruno Mars
Bruno Mars has built a career on infectious pop songs that blend contemporary production with retro influences, from doo-wop to Motown. His melodic sensibility and ear for arrangement have made his music highly appealing to audiences across age groups, which translates well into educational settings where students respond to material that feels current and culturally relevant.
Why we love this
Ralph Ford's arrangement captures the irresistible hook and upbeat energy of the original while respecting the instrumentation and range capabilities of a marching ensemble. The deliberate nod to 50's doo-wop gives the piece a timeless feel that appeals to audiences of all ages, making it an exceptionally strong choice for fall competitions or community concerts where you need crowd engagement without sacrificing musical substance.
What to expect
A bright, propulsive groove with infectious melody and vintage charm. The arrangement walks the line between modern pop production and classic 50's sensibility, creating a piece that feels both familiar and fresh, with the kind of energy that lifts an entire ensemble's mood during rehearsal and captivates an audience during performance.
Who it's for
Marching bands at the Grade 3 level looking for contemporary repertoire that students recognize and feel excited to perform. This is ideal for groups that want to program something accessible yet stylistically interesting, without the complexity or rehearsal demands of higher grade levels.
How to get the most out of it
- Balance the melody across sections so the catchy hook cuts through the harmonic bed; this tune lives or dies on the clearness of the tune itself.
- Pay attention to the rhythmic precision in the rhythm section and accompanimental figures; the groove depends on locking in those supporting parts.
- Shape the phrasing to emphasize the doo-wop DNA of the arrangement; let the students hear where the throwback elements live so they understand the stylistic choices.
- Use dynamics strategically to build momentum through the form; a feel-good chart still needs architecture and contrast to stay engaging over two minutes.
How to use it
Schedule this for a fall concert or early-season competition where you want to showcase your band's versatility and crowd appeal. It pairs well alongside more traditional marching band fare, offering a contemporary counterpoint that demonstrates your students' range as performers. The two-minute-ten-second duration fits neatly into almost any program format.
Skills your students will build
- Balancing melody against harmonic accompaniment in an ensemble setting
- Executing rhythmic precision in groove-based material
- Interpreting stylistic elements from multiple musical eras
- Maintaining consistent energy and articulation throughout a pop arrangement
- Understanding how melodic hooks function in commercial music versus concert repertoire