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Drive: HybridNOW Full Orchestra Conductor Score & Parts

$95.00 USD
Sale price  $95.00 USD Regular price 
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Drive: HybridNOW Full Orchestra Conductor Score & Parts

Katie O'Hara LaBrie

Grade: 4

Item: 00-52125H

$95.00
HybridNOW

Included with this title

  • Digital music NOW — instant access to the full performance set
  • Permission to COPY all parts as needed
  • Additional PRINT score delivered separately by mail
Description
Take your ensemble on a musical road trip with Drive, an energetic overture that captures the spirit of innovation, adventure, and connection. With its infectious rhythms, nods to Gershwin, and soaring Americana-inspired themes, the piece celebrates the joy of the journey as much as the destination. An exhilarating work for full orchestra by Katie O'Hara LaBrie! (4:00)

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Additional Details
Series: MakeMusic Symphony Orchestra
Publisher: MakeMusic Publications
ISBN10: 1-4706-8822-0
ISBN13: 978-1-4706-8822-6
UPC: 038081622156
SKU: 00-52125H

More about this title

About the Composer: Katie O'Hara LaBrie

Katie O'Hara LaBrie

Katie O'Hara LaBrie spent fifteen years as an orchestra educator in Fairfax County, Virginia, a foundation that fundamentally shapes her compositional voice. She earned her Bachelor of Music in Music Education from St. Olaf College under Steven Amundson and her Master of Music in Instrumental Conducting from George Mason University under Anthony Maiello.

LaBrie's work consistently balances three priorities: pedagogical integrity, audience engagement, and player enjoyment. Her compositions have earned J.W. Pepper Editor's Choice recognition multiple times and have been performed at the Midwest Band and Orchestra Directors Clinic and the American String Teachers Association Conference. In 2022, Yamaha named her one of their "40 Under 40" for her creativity and leadership in music education. She is the founding conductor of the Fairfax Chamber Players and co-creator of the Big IDEA practice method. LaBrie lives in Northern Virginia with her husband Joe, a middle school band director, and their son.

Why we love this

Drive delivers genuine forward momentum without sacrificing musicality. The Gershwin-influenced harmonies and Americana themes give the piece distinctive character, while the construction makes it approachable for Grade 4 ensembles without feeling condescending. You'll find the infectious rhythms and soaring themes energize both players and audiences, making it a smart choice for opening a concert or festival program.

What to expect

A road trip soundtrack captured in orchestral form. The rhythmic vitality and open harmonies evoke movement and possibility, while the soaring melodic passages deliver genuine emotional connection. It's the sound of discovery unfolding in real time.

Who it's for

Grade 4 full orchestras ready for a contemporary overture with appeal at contests and festivals. The piece serves orchestras seeking repertoire that honors the American musical tradition while engaging young musicians in stylistically accessible but musically substantial work.

How to get the most out of it

  • Let the rhythmic drive breathe naturally rather than rushing. LaBrie's sectional writing creates opportunities for different instrumental families to lock in independently before the full ensemble comes together.
  • Balance the Americana-inspired melodies with clarity in the middle voices. The nods to Gershwin depend on voice leading that keeps inner harmonies audible without competing with the main theme.
  • Emphasize the journey's narrative arc. The piece celebrates both the adventure and arrival, so shape the phrases to reflect that dual perspective rather than treating it as one constant energy level.

How to use it

Open a concert with Drive to establish energy and excitement immediately. The four-minute duration and festive character also make it ideal for a festival program where you need a strong impression without extensive stage time. Consider pairing it with a slower work to create programming contrast.

Skills your students will build

  • Rhythmic precision in syncopated patterns
  • Phrasing in Americana and Gershwin-influenced melodic styles
  • Sectional independence and blend within the full ensemble texture
  • Expression and narrative shaping in contemporary concert music
  • Reading of mixed dynamic markings and articulation styles across instrumental families

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