Drifting in Time Cover Image

Drifting in Time: Percussion Ensemble Conductor Score & Parts

$35.00 USD
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Drifting in Time Cover Image

Drifting in Time: Percussion Ensemble Conductor Score & Parts

By e Austin Thompson

Grade: 3

Item: 98-RWS155100

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Description
"Drifting In Time" is a work for percussion ensemble inspired by electronic and world music. The drums act as a rhythm section as the keys perform flowing melodies that soar over the top. With optional parts included, "Drifting In Time" is playable by ensembles of all sizes and ability levels. Appropriate for solo & ensemble festival, this contemporary composition by e Austin Thompson will be enjoyed by musicians and audiences alike.

Original Item#: RWS-1551-00

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Additional Details
Series: RWS - Festival Ensemble
Publisher: RWS Music Company
ISBN10: 1-4706-9478-6
ISBN13: 978-1-4706-9478-4
UPC: 038081610634
SKU: 98-RWS155100

More about this title

Why we love this

The balance Thompson strikes between rhythmic drive and melodic space gives your ensemble room to breathe while staying locked together. Electronic and world music influences feel natural here rather than grafted on, and the optional parts mean you're not turning anyone away because instrumentation is limited.

What to expect

Hypnotic yet alive. The drums create a meditative pulse while the keys float above it with jazzy, songlike phrases that feel almost vocal. It's modern without sounding cold.

Who it's for

Percussion ensembles working toward festival or concert performance, particularly those with keyboardists looking for contemporary repertoire that doesn't demand advanced technical chops. Grade 3 accessibility means your students focus on ensemble balance and musicality rather than wrestling with notation or mechanics.

How to get the most out of it

  • Establish the drums as a cohesive foundation early in rehearsal. They're supporting the melodic material, so lock the groove before layering the keyboard parts.
  • Let the keys sing without rushing. Thompson's flowing melodies need space to unfold, so resist the urge to drive the tempo forward.
  • Adjust your instrumentation strategically. The optional parts let you scale up for a fuller sound or strip down if your ensemble is smaller; either approach works musically.

How to use it

Pair this on a concert alongside either a traditional percussion work or another contemporary piece to show range. Its ~5-minute duration makes it ideal for the middle of a set, where it can reset the room's energy before something heavier lands.

Skills your students will build

  • Balancing rhythmic foundation with melodic independence
  • Ensemble tuning and blend across keyboard and percussion colors
  • Following flexible phrasing and rubato within a steady pulse
  • Adapting to optional instrumentation and rearrangement decisions

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