Dreamers: TTB Choral Octavo
Recorded by Jung Kook featuring Fahad Al Kubaisi
Words and music by Patrick Devine, Jeon Jung-kook, Mustapha El Ouardi, and Nadir Khayat / arr. Jack Zaino
Item: 00-PO-0007178
Minimum order quantity: 20 copies
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Why we love this
This arrangement captures the infectious energy of a global pop anthem while remaining genuinely singable for treble and lower voices across a range of skill levels. The optional cut gives you flexibility for concert programming without sacrificing the song's impact, and the inclusion of a pronunciation guide and translation means your singers can deliver the Arabic solo with authentic confidence, not just phonetic approximation.
What to expect
Propulsive and celebratory, with the infectious momentum of a stadium anthem. The strong hook and steady rhythm create an unstoppable forward drive, while the message of teamwork and shared purpose gives the energy genuine heart rather than hollow flash.
Who it's for
Directors building a setlist that connects with contemporary audiences and singers who want to perform music they actually listen to. This arrangement works well for choirs with mixed voices (especially those able to balance TTB voicing), and it's accessible enough for high school groups while remaining engaging for collegiate and community choirs.
How to get the most out of it
- Lock the rhythm section (or the recorded accompaniment) into a tight pocket during rehearsals. The driving rhythms are the backbone of this piece, so precision in the drums and bass will make everything else click.
- Work the hook melody separately at first, then layer it over the verse rhythms once singers are secure. This gives the chart-topper feel its full impact.
- If you're performing the full 4-minute version with the Arabic solo, have that soloist rehearse the pronunciation guide consistently in the weeks before the concert. Singing in a language not your own requires muscle memory, not just reading.
- Balance the ensemble sections against featured moments. The driving hook should feel propulsive, but soloists and smaller sections need to cut through cleanly.
How to use it
Program this as a high-energy closer or a bridge between classical and contemporary repertoire on a mixed concert. It pairs well with other pop arrangements in the Alfred series or alongside world music selections that feature the Arabic solo as a cultural moment. The optional 2.5-minute cut works especially well for shorter concert slots or as a standalone encore.
Skills your students will build
- Reading syncopated rhythms in pop idiom
- Balancing rhythmic precision with vocal expression
- Ensemble blend in contemporary chord progressions
- Pronunciation and cultural awareness (Arabic language solo)
- Phrasing modern pop melodies effectively