Dreamers: SATB Choral Octavo
Recorded by Jung Kook featuring Fahad Al Kubaisi
Words and music by Patrick Devine, Jeon Jung-kook, Mustapha El Ouardi, and Nadir Khayat / arr. Jack Zaino
Item: 00-PO-0007176
Minimum order quantity: 20 copies
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More about this title
About the Composer: Patrick Devine
Patrick Devine is a composer and arranger whose work bridges pop songwriting and choral writing. His arrangements have brought contemporary hits into choir libraries across the United States, making modern repertoire accessible to ensemble singers without sacrificing the energy and impact of the original recordings.
Why we love this
This arrangement captures the infectious momentum of the original without requiring your singers to approximate a solo artist's vocal range. The hook is undeniable, the message resonates with young singers, and the optional cut gives you flexibility for different concert formats. Your choir will feel the same urgency and pride that made this a World Cup anthem.
What to expect
Propulsive and celebratory. The arrangement pulses with forward momentum, layering voices to build intensity around a memorable hook. There's genuine warmth in the unison moments and a sense of collective power when all four parts lock in together.
Who it's for
Choirs looking to program contemporary, high-energy repertoire that speaks to younger singers and audiences. This works equally well for high school choirs, show choirs, and community ensembles seeking music with immediate appeal and a clear message.
How to get the most out of it
- Nail the rhythmic pocket in the verses. The driving rhythm section is what makes this piece work; lock your singers into a tight, consistent pulse rather than letting the melody drift.
- Shape the hook with confidence. This is the moment audiences remember; make sure your SATB parts blend cleanly and hit the accents together as one unit.
- If you choose the full 4-minute version with the Arabic solo, give that section genuine space and contrast. Let it breathe as a moment of musical variety before returning to the main energy.
- Use the recorded accompaniment to set the tempo and groove during rehearsals. Singers often underestimate how much energy pop music needs; the track will reinforce the right feel.
How to use it
Open a concert with this to establish energy and engagement from the first notes. It also works beautifully as a closer if you want to send audiences out with the same momentum that carried the piece in. The optional 2.5-minute cut makes it flexible for shorter sets or festival performances.
Skills your students will build
- Rhythmic precision in pop/rock idioms (maintaining consistent groove across ensemble)
- Balancing melody with rhythmic accompaniment patterns in SATB voicing
- Diction clarity at faster tempos with driving rhythmic accompaniment
- Singing with stylistic energy and confidence in contemporary popular music
- Understanding and performing world music elements (Arabic solo section)