Down to the Nightclub / What Is Hip?: Marching Band Conductor Score & Parts
The Music of Tower of Power, Part 3
Words and music by Emilio Castillo, Stephen Kupka, and David Garibaldi [Tower of Power] / arr. Victor López
Grade: 3.5 (Medium)
Item: 00-PK-0006243
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About the Composer: Emilio Castillo
Emilio Castillo co-founded Tower of Power in 1968 and has been the band's primary songwriter and saxophonist throughout its five-decade career. His compositions and arrangements define the Oakland funk sound, blending horn-driven grooves with sophisticated harmonies that have influenced generations of funk and soul musicians.
Castillo's work as a composer emphasizes rhythmic precision and ensemble interplay. His charts for marching arts have proven especially valuable for educators seeking authentic funk repertoire that maintains musical integrity while remaining accessible to high school musicians.
Why we love this
Victor López's arrangement captures the irresistible groove and horn energy of Tower of Power without sacrificing the ensemble work that makes marching band rewarding. The optional ending means you get flexibility: a full three-song narrative for a complete halftime show or a tighter 2:20 set for pep band situations. Authentic funk that your students will actually want to play.
What to expect
Walking into the nightclub and finding the band already in full swing. There's immediate energy and groove, layered horn lines that feel both funky and cohesive, and that satisfying moment when everything locks together. The buildup pays off with genuine musical satisfaction, never forcing the funk.
Who it's for
Marching bands at the Grade 3-4 level who want authentic funk repertoire and the flexibility to perform either as a full halftime show or a shorter stands tune. Directors seeking music that connects with students and audiences alike will find this arrangement hits that mark consistently.
How to get the most out of it
- Lock the sixteenth-note subdivisions in the rhythm section early. The groove lives in precision, not swing.
- Blend the horn lines as one unit rather than individual voices. Tower of Power's signature sound depends on that unified voice.
- Balance the sousaphone and bass drum carefully during the steady buildup sections; they drive the entire piece.
- Shape the final statement of 'You're Still a Young Man' with confidence. It's a payoff moment that needs clarity and weight.
How to use it
Program this as your halftime centerpiece when you want something contemporary and high-energy, or use the optional ending to close a pep band set with serious groove. It also works well in a concert context as a stand-alone feature that showcases your ensemble's rhythmic maturity and horn blend.
Skills your students will build
- Funk rhythm and sixteenth-note pocket precision
- Blending and balance in multi-line horn arrangements
- Syncopated phrasing and articulation in grooved contexts
- Reading and executing optional ending notation
- Ensemble cohesion during dynamic buildups