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Doodlin' Around: String Orchestra Conductor Score

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Doodlin' Around: String Orchestra Conductor Score

Arranged by Carrie Lane Gruselle

Grade: 1.5

Item: 98-ST6076S

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Description
Two familiar tunes, Polly Wolly Doodle and Yankee Doodle, face off in this light-hearted adventure. Your students will develop confidence in their bow strokes and will refine accents, pizzicato, dynamics, and even some double stops while working with this crowd-pleasing medley by an excellent arranger and string educator. Highly entertaining and memorable!

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Additional Details
Series: FJH Beginning Strings
Publisher: The FJH Music Company, Inc.
UPC: 241444547274
SKU: 98-ST6076S

More about this title

About the Arranger: Carrie Lane Gruselle

Carrie Lane Gruselle

Carrie Lane Gruselle studied music education at the University of Wisconsin–Eau Claire and earned a master's degree in music education from the University of Wisconsin–Stevens Point, where she specialized in Suzuki pedagogy. She has taught elementary and middle school strings in the Appleton Area School District and maintains a cello studio at the Lawrence University Arts Academy in Appleton, Wisconsin.

Why we love this

Gruselle knows exactly what beginning string orchestras need to sound confident and have fun doing it. This medley gives students a genuine musical payoff without asking them to navigate complex technical terrain, and the interplay between the two tunes keeps everyone engaged from start to finish.

What to expect

A playful competition between two American classics, with bow strokes that bounce and snap, pizzicato plucks that dance, and moments of gentle double-stop harmony that add texture without strain. The piece has the warmth of a folk tune paired with just enough orchestral seasoning to feel special.

Who it's for

String orchestra conductors teaching grades 1–2 students who are ready for a piece that combines familiar material with modest technical growth. This works equally well in school orchestras and community strings programs where students benefit from recognizable melodies and straightforward arranging.

How to get the most out of it

  • Shape the accents clearly but lightly; they should articulate the melodic contour rather than punch the tone.
  • Balance pizzicato sections by having players sustain their plucking hand height and timing, especially when moving between sections.
  • Prepare the double stops as double stops early in rehearsal, not as an afterthought. Have students work them in isolation before weaving them into the full texture.
  • Let the tempo breathe slightly between the two tunes to signal the "face-off" character and give students a moment to reset their energy.

How to use it

This is an ideal opener for a pops or community concert, especially one celebrating American music or patriotic themes. It also serves as a confident mid-year showpiece that demonstrates how much beginning students have grown in just a few months of study.

Skills your students will build

  • Accenting with precision and musical shape
  • Pizzicato articulation and consistency within a section
  • Double stops in simple harmonic contexts
  • Dynamic contrast and response to conductor cues
  • Sustaining rhythmic integrity in a medley format

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