Donizetti: High Voice Book

Name: Donizetti: High Voice Book
Brand: Alfred Music
SKU: 00-16811
Price: 24.95 USD
Availability: InStock

Music by Gaetano Donizetti / ed. John Glenn Paton

Item: 00-16811

$24.95

Shipped

One moment…

This volume brings together a collection of Donizetti's songs, some of which were published in several editions during his lifetime and in the years just following, while others have never been in print. Professor Paton has once again produced a collection that will be a valuable tool both for students of singing, and for professionals looking for fresh recital material.

Donizetti: High Voice Book isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Request This Title

Tell us you want it.

Start Your Free Trial

Explore everything that's ready to play right now.

No sample audio found.

No sample videos found.

Publisher: Alfred Music

Page Count: 160

ISBN10: 0-88284-808-9

ISBN13: 978-0-88284-808-2

UPC: 038081138435

SKU: 00-16811

More about this title

About the Composer: Gaetano Donizetti

Gaetano Donizetti (1797-1848) was one of the most prolific opera composers of the Romantic era, creating nearly 70 operas alongside a substantial body of vocal music. His gift for melody was unmatched; even in songs outside the operatic stage, his lines sing with the same natural grace and emotional directness that made works like Lucia di Lammermoor endure. He composed across every vocal genre and trained many singers of his time, understanding intimately what the voice could express.

Beyond the opera house, Donizetti wrote hundreds of songs that reveal a different side of his artistry. These pieces range from passionate dramatic monologues to intimate character studies, each one crafted with the same care he lavished on his stage works. For singers, both students and professionals, this catalog remains a gateway into the Romantic repertoire that demands musicianship, vocal control, and interpretive maturity.

Show moreShow less

Why we love this

This collection gathers Donizetti's song output across a single volume, making it practical to explore repertoire that often stays scattered across period editions and archives. The range of material here—from well-known selections to pieces newly restored to print—gives singers genuine choices for recital programming rather than recycled standards. For voice studios, the pedagogical value is substantial: Donizetti's songs demand legit technique, expressive phrasing, and stylistic awareness, all within pieces that reward careful attention.

What to expect

Donizetti's songs evoke the emotional intensity of Italian Romanticism: passionate, direct, and unafraid of dramatic gestures. These pieces move swiftly between tenderness and fervor, often within a single song. The accompaniments support but never overwhelm, leaving the singer at the center of the musical conversation.

Who it's for

This book serves voice students preparing for advanced recital repertoire and professional singers seeking material beyond the standard canon. It works equally well for studio teachers building a diverse song curriculum and for singers whose languages and vocal ranges fit the high voice designation.

How to get the most out of it

Shape the melodic line as though it were operatic; Donizetti writes for the voice as an instrument capable of sustained legit tone across wide intervals.
Pay attention to text setting and emotional subtext. Even shorter songs contain dramatic arcs that require commitment to character and interpretation.
Respect the harmonic language. Donizetti's accompaniments are not mere support; they establish mood and often carry musical ideas as important as the vocal line.
Vary your approach to vibrato and dynamics based on the dramatic content of each song. Some pieces benefit from restraint; others demand full vocal presence.

How to use it

Program individual songs throughout a season's recitals to discover lesser-known works alongside operatic arias. A group of three to four connected by theme or character provides a compelling recital set. These songs work especially well as encore material or as part of a Romantic song cycle program that includes other Italian song composers.