Don't Wanna Lose You: SATB Choral Octavo
Words and music by Gloria Estefan / arr. Greg Gilpin
Item: 00-PO-0005482
Minimum order quantity: 20 copies
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More about this title
About the Composer: Gloria Estefan
Gloria Estefan stands as one of the most commercially successful Latin crossover artists in music history, with a career spanning five decades. Her songwriting draws from personal experience and cultural pride, resulting in music that resonates across languages and generations. As a composer, she has created work that balances pop accessibility with emotional depth, earning Grammy Awards and establishing her as a significant voice in contemporary music.
Why we love this
Greg Gilpin's arrangement captures the emotional arc of this Grammy-nominated ballad while keeping the writing singable for mixed choirs of moderate experience. The inclusion of optional Spanish lyrics creates a natural entry point for discussing cultural authenticity and bilingual performance in your program. This is contemporary choral literature that your singers will actually connect with—the song carries real weight without requiring virtuosic technique.
What to expect
The piece radiates vulnerability and determination at once. The melody sits in a singable register while the harmonies create warmth and depth beneath it, and the arrangement respects the intimate quality of the original song even as it expands into full choir voicing. This is music that asks singers to connect emotionally without sacrificing choral sound.
Who it's for
This arrangement works for high school choirs, community choirs, and collegiate groups seeking contemporary repertoire with emotional authenticity. Your singers need secure reading skills and the ability to blend across four parts, but not advanced vocal technique. Directors looking to program modern popular music that has substance will find this offers both accessibility and musical integrity.
How to get the most out of it
- Let the dynamics breathe with the emotional arc of the text. The power comes from restraint in the verses and genuine commitment in the key moments, not from pushing volume throughout.
- If your choir is singing the Spanish lyrics, clarify pronunciation in rehearsal and consider recording a pronunciation guide for your singers to reference. The language should feel natural, not mechanical.
- The recorded accompaniment is your rehearsal partner. Use it to lock in the harmonic language early, then gradually reduce dependency so the choir can own the phrasing by performance time.
- Balance the tenor and alto lines carefully in the harmonic sections. These inner voices carry important color that can disappear if sopranos and basses dominate.
How to use it
Consider pairing this with other contemporary pieces to create a concert block that speaks to your audience's musical lives. The optional Spanish lyrics make it an ideal choice for celebrating cultural diversity in a concert context or for a program exploring multilingual choral singing. Its popularity and emotional resonance also make it effective as a closer or as the emotional centerpiece of a mixed-repertoire concert.
Skills your students will build
- Blending four-part harmony in contemporary harmonic language
- Singing with stylistic authenticity in pop/musical theater contexts
- Interpretation of text in both English and Spanish
- Balancing solo and choral identity within a pop arrangement
- Responding to dynamic and emotional narrative across a longer form