Don't Stop Believin': Flute Sheet Music Preview

Don't Stop Believin': Flute

As performed on Glee

Words and music by Jonathan Cain, Neal Schon, and Steve Perry

Grade: 2 (Easy)

Item: 00-PC-0014617_F1

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Description
Don't Stop Believin', as recorded by the cast of the popular television series Glee, was released as the first single from the series soundtrack. The track hit #4 on the U.S. Billboard Hot 100 chart.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Don't Stop Believin': Flute comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Sample Video
Additional Details
Series: Hot Pop Band
Publisher: Alfred Music
Page Count: 122
SKU: 00-PC-0014617_F1

More about this title

About the Composer: Jonathan Cain

Jonathan Cain has been the keyboardist and primary songwriter for Journey since the 1980s, crafting some of the most recognizable arena rock anthems in popular music history. His work blends accessible melodies with sophisticated harmonic sensibilities, making his compositions natural fits for concert band arrangements that preserve the emotional core of the originals while opening them to new ensembles.

Why we love this

This arrangement captures the infectious optimism of Journey's original without losing a moment of the anthem's lift. The Grade 2 scoring keeps parts playable across your full section while preserving the iconic melody and harmonic movement that made the song a cultural touchstone. Programming it alongside classical works or other pop arrangements gives audiences permission to celebrate music that genuinely moves people.

What to expect

Soaring and determined. The arrangement channels the original's stadium-sized conviction into something your ensemble can own: a moment of genuine uplift where every section contributes to a unified emotional arc. The familiar melody grounds listeners instantly while the band arrangement freshens the sound with new textures and orchestration choices.

Who it's for

Concert bands working at the beginning intermediate level who want to program accessible, audience-engaging material that demonstrates solid musicianship without overwhelming younger or less experienced players. This works equally well for community bands, school groups building confidence in pop arrangements, or any ensemble seeking a crowd-pleasing concert finale.

How to get the most out of it

  • Balance the melody between your primary carriers and supporting voices. This song lives on clarity, so even texture parts need rhythmic precision to support the forward momentum.
  • Resist the urge to drag the tempo. The arrangement thrives on steady, confident pulse; lock in with your rhythm section early and conduct with authority.
  • Shape the dynamics phrase by phrase rather than section by section. The original recording builds on vocal inflection and harmonic shifts, so guide your band through subtle crescendos within static dynamic markings.
  • Let the woodwinds breathe on the exposed moments. If the arrangement features a solo or reduced texture, give those players space to phrase naturally without rushing back to tutti.

How to use it

Close out a spring or fall concert with this one, ideally positioned after a classical selection to showcase the full range of your band's repertoire and remind audiences why they came. The Grade 2 accessibility means you can include it even if you're balancing with more challenging works elsewhere on the program, and its contemporary energy provides natural contrast to standard band fare.

Skills your students will build

  • Maintaining steady tempo in pop-influenced arrangements
  • Balancing melody and accompaniment textures across full ensemble
  • Responding to dynamic shaping cues that follow vocal phrasing rather than traditional band conventions
  • Reading and executing rhythmic figures common to rock and pop idioms

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