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Don Juan, Op. 20 (critical edition): Full Orchestra, Score and Parts

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Don Juan, Op. 20 (critical edition) Cover Image

Don Juan, Op. 20 (critical edition): Full Orchestra, Score and Parts

By Richard Strauss, ed. Clinton Nieweg/ Nancy Bradburd

Item: 36-A211902

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Description
Richard Strauss's (1864-1949) tone poem DON JUAN, Op. 20, was composed in 1888. The work is based on Don Juans Ende, a play derived from an unfinished 1844 retelling of the tale by poet Nikolaus Lenau after the Don Juan legend which originated in Renaissance-era Spain. This publication is a Critical Edition based on the composer's manuscript, edited by Clinton F. Nieweg and Nancy Bradburd. Instrumentation: 3(3rd dPicc).2+EH.2.2+CBsn: 4.3.3.1: Timp.Perc(3): Hp: Str (9-8-7-6-5 in set).

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Additional Details
Series: Nieweg Performance Editions
Publisher: Keiser Productions, Inc.
UPC: 654690665997
SKU: 36-A211902
Instrumentation: 3(3rd dPicc).2+EH.2.2+CBsn: 4.3.3.1: Timp.Perc(3): Hp: Str (9-8-7-6-5 in set)

More about this title

About the Composer: Richard Strauss

Richard Strauss (1864-1949) stands among the most consequential orchestrators in music history. His command of instrumental color and harmonic language fundamentally expanded what the modern orchestra could express, and his tone poems remain cornerstones of the orchestral repertoire.

Why we love this

Don Juan is one of the most viscerally exciting works in the repertoire, and this critical edition gives you the composer's original intentions without the accumulated editorial compromises of earlier versions. The Nieweg/Bradburd editing reflects meticulous manuscript study, which means your orchestra gets to perform Strauss as he actually wrote it.

What to expect

Don Juan unfolds as a headlong romantic adventure, all seduction and bravado in the opening, building through increasingly feverish orchestral textures toward a climax of ecstatic abandon. The work moves with the recklessness of its protagonist, fueled by soaring string lines, brilliant wind colors, and the constant forward momentum of the harmonic language.

Who it's for

Advanced high school, college, and professional orchestras ready to tackle one of the Romantic era's most demanding tone poems. This work requires solid fundamentals across all sections, secure ensemble intonation, and the stamina to sustain virtuosic passages at performance tempo.

How to get the most out of it

  • Balance the woodwind solos that emerge from the texture with transparency in mind; the English horn and oboe lines carry narrative weight and need to speak clearly even when the full orchestra swells around them.
  • Approach the opening viola accompaniment figure as a heartbeat that drives the entire work; its rhythmic consistency gives the soloist something secure to lean on, especially during the rapid passagework that follows.
  • In the climactic moments, resist the temptation to oversaturate the fortissimo sections; the dramatic impact comes from the sheer brilliance of Strauss's orchestration, not from pushing harder than the score requires.
  • Use the harp not as decoration but as a harmonic anchor in the mid-to-upper texture; it helps define the romantic character without muddying the lower orchestral lines.

How to use it

Program this as the centerpiece of a concert exploring Romantic orchestration or German tone poetry, or pair it with other Strauss works to showcase the breadth of his symphonic writing. Its theatrical energy and sheer virtuosity make it a natural concert closer that leaves audiences exhilarated.

Skills your students will build

  • Ensemble intonation and blend across mixed articulations and dynamic levels
  • Reading complex syncopated figures and polyrhythmic passages
  • Sustaining rapid passagework at tempo without sacrificing tone quality
  • Balancing transparent textures with full orchestral climaxes
  • Responding to a conductor's interpretive choices in a large-scale symphonic form

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