Don Giovanni, K. 527 (complete) Cover Image

Don Giovanni, K. 527 (complete): Serious Opera, Orchestra Accompaniment, Banda

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Don Giovanni, K. 527 (complete) Cover Image

Don Giovanni, K. 527 (complete): Serious Opera, Orchestra Accompaniment, Banda

By Wolfgang Amadeus Mozart / Libretto by Lorenzo Da Ponte

Item: 36-A231242

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Description
Wolfgang Amadeus Mozart (1756-1791) wrote the two-act opera Don Giovanni, K. 527, in 1787 following a commission from Prague impresario Pasquale Bondini. Following the success of The Marriage of Figaro, Mozart turned to the librettist for that opera, Lorenzo Du Ponte, for this new project. The opera tells the story of Don Giovanni, an arrogant and promiscuous nobleman who abuses everyone he meets, killing the father of a woman he assaulted, attempting to seduce the other women that he meets, and abandoning the women he has already seduced. At the end, the man he had killed returns as a ghost and demands Don Giovanni's repentance. Don Giovanni refuses, and is dragged to Hell, with the cast telling the audience that "Evildoers always come to an evil end." The opera premiered in Prague at the Estates Theatre on October 29th, 1787, with Mozart conducting, and was very successful. The opera remains not only one of the best by Mozart, but it is considered one of the best in the opera repertoire, with regular performances continuing throughout the world. Instrumentation: 2.2.2.2: 2.2.3.0: Timp: Str (4-4-3-3-3 in set): Vocal Soli (8 roles SSSTBBBB): Chorus: Banda.

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Additional Details
Series: Kalmus Opera Library
Publisher: Keiser Productions, Inc.
UPC: 676737728250
SKU: 36-A231242
Instrumentation: 2.2.2.2: 2.2.3.0: Timp: Str (4-4-3-3-3 in set): Vocal Soli (8 roles SSSTBBBB): Chorus: Banda

More about this title

About the Composer: Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart (1756-1791) composed across every major genre of his time with a facility and invention that remains unmatched. Working in Vienna and Prague during the final decades of the 18th century, he created symphonies, concertos, chamber music, and operas that defined the Classical aesthetic while pushing beyond its boundaries. His partnership with librettist Lorenzo Da Ponte produced three masterpieces of musical drama: The Marriage of Figaro, Don Giovanni, and Così fan tutte.

Mozart's operas combine an orchestral sophistication inherited from the German and Italian traditions with a gift for melody and dramatic characterization that audiences continue to experience as immediate and alive. His facility with ensemble writing, harmonic surprise, and comic timing established a standard that composers still study. Don Giovanni stands as perhaps his most dramatically ambitious work, integrating comedy, tragedy, and moral allegory into a single vision.

Why we love this

Don Giovanni demands everything from an ensemble and rewards that investment completely. The orchestral writing connects to every vocal line with precision and theatrical flair; your musicians will feel the drama moment to moment rather than simply accompanying singers. Performing this complete score connects players and singers to one of the canonical works of Western music and positions your ensemble within a continuous tradition of Don Giovanni productions stretching back to 1787.

What to expect

Mozart's orchestration sparkles with wit and elegance even as it frames moments of genuine darkness and moral weight. The famous opening descends into turbulence and mystery; later scenes shift between comic bustle, tender lyricism, and supernatural dread. The instrumental writing is never mere accompaniment but a constant dramatic voice, commenting, questioning, and propelling the story forward.

Who it's for

This score serves advanced high school or university orchestras with the vocal and ensemble resources to mount a full operatic production. You will need eight vocal soloists (two sopranos, one soprano, one tenor, two baritones, one bass, one bass), a trained chorus, and musicians experienced in coordinating with singers across extended dramatic works.

How to get the most out of it

  • Balance the woodwind pairs carefully in the sinfonia and recitative passages; Mozart's writing for pairs of flutes, oboes, clarinets, and bassoons creates a harmonic foundation that must remain transparent even when filled with detail.
  • Establish clear ensemble entrances in the choral sections, particularly in the finale; the chorus functions as both dramatic force and rhythmic anchor, and precision here lifts the entire scene.
  • Coordinate closely with the vocal soloists on the continuo passages; harpsichord or fortepiano players must listen actively to the singers' tempo and phrasing, not impose a mechanical pulse.
  • Mark the major key changes and harmonic surprises (particularly the movement into D minor at the Commendatore's entrance) so the orchestra responds with appropriate weight and character.

How to use it

This complete score works as a major artistic commitment for a concert season or educational initiative centered on opera production. Alternatively, extract and program individual scenes (the sinfonia, the Champagne aria, the Commendatore finale) as concert pieces that showcase Mozart's orchestral genius while introducing audiences to this work's musical and dramatic power.

Skills your students will build

  • Coordinating instrumental and vocal ensemble in extended dramatic contexts
  • Reading and executing Classical-era orchestration with multiple simultaneous independent lines
  • Responding to singers' tempo, phrasing, and dramatic interpretation while maintaining ensemble cohesion
  • Navigating rapid harmonic movement and key changes (particularly minor-key dramatic moments)
  • Balancing woodwind pairs in dialogue passages and harmonic accompaniment

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