Don Giovanni, K. 527 (complete) Cover Image

Don Giovanni, K. 527 (complete): Serious Opera Conductor Score and Parts

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Don Giovanni, K. 527 (complete) Cover Image

Don Giovanni, K. 527 (complete): Serious Opera Conductor Score and Parts

By Wolfgang Amadeus Mozart, Libretto by Lorenzo Da Ponte

Item: 36-A231202

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Description
Wolfgang Amadeus Mozart (1756-1791) wrote the two-act opera Don Giovanni, K. 527, in 1787 following a commission from Prague impresario Pasquale Bondini. Following the success of The Marriage of Figaro, Mozart turned to the librettist for that opera, Lorenzo Da Ponte, for this new project. The opera tells the story of Don Giovanni, an arrogant and promiscuous nobleman who abuses everyone he meets, killing the father of a woman he assaulted, attempting to seduce the other women that he meets, and abandoning the women he has already seduced. At the end, the man he had killed returns as a ghost and demands Don Giovanni's repentance. Don Giovanni refuses, and is dragged to Hell, with the cast telling the audience that "Evildoers always come to an evil end." The opera premiered in Prague at the Estates Theatre on October 29th, 1787, with Mozart conducting, and was very successful. The opera remains not only one of the best by Mozart, but it is considered one of the best in the opera repertoire, with regular performances continuing throughout the world. Instrumentation: 2.2.2.2: 2.2.3.0: Timp: Str (4-4-3-3-3 in set): Vocal Soli (8 roles SSSTBBBB): Chorus: Banda.

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Additional Details
Series: Kalmus Opera Library
Publisher: Keiser Productions, Inc.
UPC: 660355022340
SKU: 36-A231202
Instrumentation: 2.2.2.2: 2.2.3.0: Timp: Str (4-4-3-3-3 in set): Vocal Soli (8 roles SSSTBBBB): Chorus: Banda

More about this title

About the Composer: Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart (1756-1791) composed over 600 works across nearly every genre during his short but extraordinarily productive life. Born in Salzburg, Austria, he was a child prodigy who began performing publicly at age five and had written his first opera by age twelve. His genius lay in an instinctive understanding of dramatic pacing, orchestral color, and the human voice that made him one of the most performed composers in history.

Mozart's operatic works represent the pinnacle of the Classical style. He collaborated with librettist Lorenzo Da Ponte on three major comedies (The Marriage of Figaro, Don Giovanni, and Così fan tutte) that established templates for opera buffa still studied and performed worldwide. His music combines crystalline formal clarity with emotional depth, making his operas endlessly rewarding for singers, orchestral musicians, and audiences.

Why we love this

Don Giovanni sits at the intersection of theatrical brilliance and musical sophistication. Mozart's score demands serious musicianship from every stand while the dramatic arc keeps singers and audiences riveted from the overture through the final moral reckoning. Conducting this work builds your musicians' understanding of Classical opera at its most refined, and the character writing makes every voice part—from the Don himself to the smallest ensemble role—dramatically essential and musically grateful.

What to expect

Don Giovanni moves between biting comedy and genuine menace with startling ease. The music sparkles with elegance and wit in the social scenes, then darkens as Don Giovanni's cruelty accumulates and his past catches up with him. The famous finale, with its descent into supernatural punishment, channels genuine theatrical power; Mozart's orchestration shifts from conventional operatic language into something uncanny and disturbing, making the Don's refusal to repent feel genuinely tragic rather than merely conventional.

Who it's for

This score and parts set is for opera companies, university opera programs, and advanced orchestras prepared to mount a full-length Mozart opera with trained singers and complete ensemble. You'll need professional or conservatory-level musicianship across the pit and a committed cast capable of handling the dramatic and vocal demands of eight principal roles plus chorus.

How to get the most out of it

  • Shape the famous overture with clarity of phrase and transparency of texture; the Presto section requires rhythmic precision from the full orchestra and must never feel hurried despite its energy.
  • Balance the accompanied recitative carefully so dialogue between Don Giovanni and other characters remains audible without losing the forward momentum that Mozart's accompaniment figures provide.
  • Attend to the wind writing in ensemble moments; Mozart's oboes, clarinets, and horns carry critical harmonic and melodic lines that support but must never overshadow the singers.
  • Let the dramatic silences land fully—particularly in the graveyard and final scenes—so the music's tension and Mozart's orchestral climaxes register with maximum impact.

How to use it

Don Giovanni demands a full evening or significant chunk of a concert season; you cannot program it casually. Consider pairing a complete or semi-staged performance with pre-concert talks that ground singers and orchestra in the Enlightenment moral questions the opera raises. This work fits best in seasons where you can devote rehearsal time proportional to its complexity and dramatic ambition.

Skills your students will build

  • Conducting Classical-era recitative (secco and accompanied)
  • Balancing singers against full orchestra in ensemble scenes
  • Maintaining rhythmic precision and ensemble cohesion across rapid dialogue and quick-moving comic scenes
  • Interpreting Mozart's sophisticated harmonic language and period-appropriate articulation
  • Understanding dramatic pacing and how orchestral momentum serves narrative tension

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