DJ Play a Christmas Song: TTB Choral Octavo
Words and music by Sarah Hudson, Brett McLaughlin, James Abrahart, Jesse Saint John, Lionel Crasta, and Mark Schick / arr. Alan Billingsley
Item: 00-PO-0007279
Minimum order quantity: 20 copies
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Why we love this
This arrangement captures the infectious energy of the original without losing its pop-radio sensibility. The four-on-the-floor groove translates brilliantly to TTB voices, and the lyrical twist on the classic line gives your singers something genuinely fun to deliver. It's the kind of piece that makes rehearsal feel less like work and more like a dance party with harmony.
What to expect
A dance floor at a winter party. The pulsing electronic backbone drives forward relentlessly while three vocal lines weave around each other with infectious urgency. By the moment that lyrical reframe lands, you've moved from a novelty cover into something with genuine emotional weight.
Who it's for
TTB choirs looking for contemporary holiday repertoire that actually excites singers rather than feeling like obligatory seasonal fare. This works equally well for high school treble ensembles, college groups, or community choirs who want to showcase pop arranging skill alongside traditional holiday standards.
How to get the most out of it
- Keep the rhythmic precision tight. The strength of this piece lives in the lock-step groove, so work for uniformity in note lengths and syllable articulation across all three parts.
- Layer the accompaniment playback during early rehearsals to establish the groove before focusing on voice independence. Once the beat is in their bones, they'll nail the actual ensemble sound.
- Lean into the personality of the lyrical swap. The shift from 'cold outside' to 'love in here' invites a genuine emotional shift, not just a lyrical one. Encourage your singers to feel that warmth.
How to use it
Pair this with traditional carols in a holiday concert to signal a shift in tone and energy. It works beautifully as a set closer or as a palate-cleanser between classical and contemporary seasonal works. Consider programming it where you want the audience laughing and grooving, not just listening quietly.
Skills your students will build
- Maintaining rhythmic precision in pop-influenced meters and grooves
- Balancing melody and countermelody across three voices
- Navigating electronica-inspired articulation and phrasing
- Performing contemporary secular holiday repertoire with style and conviction