DJ Play a Christmas Song: SATB Choral Octavo
Words and music by Sarah Hudson, Brett McLaughlin, James Abrahart, Jesse Saint John, Lionel Crasta, and Mark Schick / arr. Alan Billingsley
Item: 00-PO-0007277
Minimum order quantity: 20 copies
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About the Composer: Sarah Hudson
Sarah Hudson is a songwriter and producer known for crafting contemporary pop music with infectious hooks and modern production sensibilities. Her work spans film, television, and recording artists, bringing a producer's ear for arrangement and sonic detail to everything she creates.
Why we love this
This arrangement captures the infectious energy of a radio hit without requiring your choir to sound like they're performing a reduced pop track. The four-on-the-floor groove drives forward naturally through the SATB voicing, and that lyric swap ('love in here' instead of 'warm in here') gives the piece heart beyond its techno-pop surface. Your singers will feel the momentum in their bodies from the first rehearsal.
What to expect
Propulsive and warm at once. The relentless four-on-the-floor beat pulls everything forward with clubby momentum, yet the lyrical sentiment and full SATB voicing ground it in genuine holiday feeling. It's the sound of a modern holiday party: electronic pulse wrapped around human voices singing about togetherness.
Who it's for
Choirs comfortable with contemporary pop idiom and interested in adding current repertoire to holiday concerts. This octavo works well for groups that want to program something energetic and recognizable alongside traditional carols, and it's accessible enough for community and school choirs performing at intermediate level and above.
How to get the most out of it
- Lock the rhythmic pulse as a section before worrying about blend. The relentless beat is what makes this arrangement work, so establish that foundation in unison or by voice part before adding harmonic complexity.
- Treat the recorded accompaniment as your rehearsal partner, not your crutch. Use it to internalize the groove during sectionals, then build independence so your choir can maintain the pocket without it.
- Shape the phrase 'It's tough outside, but it's love in here' with genuine warmth. This rewritten lyric is the emotional core, so let that tenderness cut through the electronic energy.
- Keep diction crisp and conversational, especially in faster passages. Pop phrasing favors clarity over legit singing, so articulate without sounding overly formal.
How to use it
Place this in the second half of a holiday concert to shift energy after traditional or reverent material. It works especially well as a penultimate song before a closing carol, giving the audience a chance to hear your choir engage with contemporary style while still honoring the season. The 16-page octavo makes it substantial enough to carry its own moment in the program.
Skills your students will build
- Maintaining rhythmic integrity in pop/electronic contexts
- Singing with contemporary phrasing and diction in SATB voicing
- Balancing harmonic blend while preserving groove energy
- Interpreting rewritten text with intentional emotional expression