Divertimento No. 1 Cover Image

Divertimento No. 1: Concert Band Score & Parts

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Divertimento No. 1 Cover Image

Divertimento No. 1: Concert Band Score & Parts

Allegro con Spirito

By Franz Joseph Haydn / arr. David Marlatt

Item: 81-CB226522

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Description
The Allegro con Spirito movement of the Divertimento No. 1 is from the Six Feldpartiten (open air suites), composed by Haydn in the early 1780s. Originally scored for two oboes, two French horns, three bassoons and a B-flat serpent, this piece works beautifully for winds and percussion. This in the opening movement to the Divertimento, however it also contains another famous piece of music - St. Anthony's Chorale.

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Additional Details
Series: Eighth Note Publications
Publisher: 8TH NOTE PUBLICATION
ISBN13: 978-1-77893-233-5
UPC: 685462032341
SKU: 81-CB226522
Instrumentation: Concert Band

More about this title

About the Composer: Franz Joseph Haydn

Franz Joseph Haydn (1732-1809) shaped the classical symphony and string quartet into foundational genres of Western music. His prolific output spans over 100 symphonies, numerous chamber works, and sacred music that influenced generations of composers from Mozart to Beethoven.

Haydn's genius lies in his ability to write music that feels both intellectually rigorous and immediately joyful. The Feldpartiten (open air suites) he composed in the early 1780s exemplify this balance: functional music for outdoor performance that never sacrifices musical substance or wit. His influence on band and wind music remains profound, particularly in how these works demonstrate that entertainment and craft are not opposing forces.

Why we love this

This arrangement gives concert bands access to genuine Haydn craftsmanship at a Grade 2½ level, which is rare. The inclusion of St. Anthony's Chorale within the movement adds historical depth and a memorable melodic anchor that audiences recognize instantly. Marlatt's scoring captures the clarity and elegance of the original Feldpartiten without sacrificing the transparency that makes Haydn's voice-leading so teachable.

What to expect

Elegant and conversational, with the kind of orchestral wit that makes listeners smile without knowing why. The famous chorale floats above and through the surrounding texture like a familiar tune overheard in a garden; it surprises and delights.

Who it's for

Concert bands at the intermediate level who want repertoire with genuine historical weight and compositional substance. Directors seeking pieces that build musicianship without condescension will find this arrangement essential.

How to get the most out of it

  • Keep articulation clean and uniform across the woodwind sections; Haydn's charm depends on precise ensemble attacks rather than heavy phrasing.
  • Balance the melody between oboe and French horn to let both instruments shine. Neither should overpower the other.
  • Maintain a steady, unrushed tempo through the Allegro con Spirito marking. The spirited character comes from rhythmic clarity, not speed.
  • Listen for the moment St. Anthony's Chorale emerges and allow it to sing with independence from surrounding figuration; it should feel like a revelation, not an accident.

How to use it

Program this as a concert opener or as a graceful lighter piece following something weightier. Its modest length and transparency make it ideal for spring or outdoor concerts, honoring the Feldpartiten tradition of music meant for the open air.

Skills your students will build

  • Balancing melody and accompaniment across multiple instrumental lines
  • Articulation clarity in fast-moving passages
  • Listening for inner voices and harmonic motion
  • Maintaining steady tempo in spirited music
  • Recognizing and shaping a famous chorale melody within a larger context

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