Ding Dong Merrily on High Cover Image

Ding Dong Merrily on High: Flexible Band/String Ensemble Score & Parts

$65.00 USD
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Ding Dong Merrily on High Cover Image

Ding Dong Merrily on High: Flexible Band/String Ensemble Score & Parts

16th Century French Carol / arr. David Marlatt

Grade: 3

Item: 81-FB1414

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Description
Eighth Note Publications Flexible Band/String Series provides ultimate flexibility for ensembles with incomplete instrumentation or odd combinations. These pieces are playable by as few as 5 woodwind, brass or string players with or without percussion. This creates the opportunity for a mixed quintet to perform these titles but also allows for performance for 10-15 players up to full a band/orchestra with parts doubling. Great for music camps, contest use or any band room that has non-standard instrumentation.

For many reasons, Christmas means joy! "Ding Dong Merrily on High" is a wonderful musical snapshot of the whole season. In this arrangement, we hear church bells chiming, voices uniting, and see people smiling. It features great tutti, instrument family, and small ensemble moments to show off all aspects of the band.

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Additional Details
Series: Eighth Note Publications Flexible Band Series
Publisher: Eighth Note Publications
ISBN10: 1-77157-194-2
ISBN13: 978-1-77157-194-4
UPC: 685462021956
SKU: 81-FB1414

More about this title

Why we love this

David Marlatt's arrangement captures the carol's infectious joy while solving a real instrumentation puzzle. The piece rotates soloists and small groups through the melody, ensuring every section gets time to shine without requiring a full complement of players. What makes this particularly smart is how naturally the flexible scoring works; it never feels like you're missing something, even with five players or with full ensemble.

What to expect

Warmth and celebration ring through this arrangement. You hear church bells and voices joining together, creating moments of brightness punctuated by intimate small-group passages that feel almost conversational before opening back up to full ensemble joy.

Who it's for

Ensembles operating with incomplete or mixed instrumentation will find this arrangement immediately playable. It works equally well for a music camp pickup group or a full concert band looking for a reliable holiday opener.

How to get the most out of it

  • Balance the bell chimes section carefully during the opening; if you're thin on instrumentation, consider letting a solo instrument carry the texture rather than doubling to muffle it.
  • The tutti moments land harder when you've held restraint during the small ensemble passages. Resist the urge to swell too early.
  • Lock the rhythmic precision in the accompaniment figures. At grade 3, steady quarter-note and eighth-note patterns can drift; mark them clearly in rehearsal.

How to use it

Schedule this for a December concert where you want an immediate crowd-pleaser that showcases ensemble cohesion. It also travels well to festivals and contests because the flexible scoring means you're never caught short on players.

Skills your students will build

  • Balancing solo and ensemble textures
  • Maintaining rhythmic precision in accompaniment patterns
  • Adapting to non-standard instrumentation
  • Playing bell-like articulations and staccato figures
  • Responding to sectional leadership cues

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