Die Fledermaus: Overture for String Orchestra Cover Image

Die Fledermaus: Overture for String Orchestra: String Orchestra, Ensemble Works, Conductor Score & Parts

$95.00 USD
Sale price  $95.00 USD Regular price 
Skip to product information
Die Fledermaus: Overture for String Orchestra Cover Image

Die Fledermaus: Overture for String Orchestra: String Orchestra, Ensemble Works, Conductor Score & Parts

By Johann Strauss II / ed./arr. Michael Blackwood

Item: 36-A942490

$95.00
Shipped

One moment…

Description
The comic operetta Die Fledermaus (The Bat) by Johann Strauss II (1825-1899) is the composer's best known operetta, though "The Waltz King" is perhaps better remembered for his contributions to that uniquely Habsburg Vienna dance with the infectious rhythm. Telling a farcical tale of practical jokes, masked identities, the test of true love, and other shenanigans, the original source is a play by German playwright Julius Roderich Benedix (Das Gefängnis), which was translated into a French Vaudeville play, Le réveillon by Henri Meilhac and Ludovic Halévy, which was then translated back to German by Karl Haffner, whose translation was finally used as the source for the libretto by Richard Genèe. Written following a couple of less successful efforts to enter the opera world, this light opera premiered at the Theater an der Wien in Vienna on April 5th, 1874, and remains one of the most popular in the contemporary opera repertoire. The overture also remains among the most popular works in the orchestral repertoire. This faithful transcription for string orchestra is by Michael Blackwood. (9:00)
Instrumentation: String Orchestra (8.8.5.5.5 in set).

Die Fledermaus: Overture for String Orchestra: String Orchestra, Ensemble Works, Conductor Score & Parts isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
UPC: 605258582973
SKU: 36-A942490
Instrumentation: String Orchestra (8.8.5.5.5 in set)

More about this title

About the Composer: Johann Strauss II

Johann Strauss II (1825-1899) dominated Vienna's musical life during the latter half of the nineteenth century, composing nearly 500 works across waltzes, polkas, and operettas. The son of Johann Strauss I, he inherited his father's gift for melody and cultivated it into something more sophisticated and orchestrally ambitious, earning the title "Waltz King" while also proving himself a skilled operetta composer.

Strauss II's operettas stood apart from the heavy Germanic tradition because he married infectious dance rhythms with theatrical wit and orchestral craft. Die Fledermaus remains his masterpiece in this genre, written during a period when he was consolidating his reputation as a serious composer capable of working in longer forms. His ability to sustain musical interest across an entire operetta while maintaining accessibility made him a model for light opera composers across Europe.

Why we love this

Audiences recognize this overture instantly, which means your students perform something that resonates beyond the rehearsal room. The transcription for string orchestra preserves Strauss's orchestral sparkle while remaining eminently playable at the high school level, with the technical demands concentrated among your stronger section leaders rather than distributed across the entire ensemble.

What to expect

Effervescent and theatrical. The overture sparkles with Viennese charm and orchestral wit, moving between graceful waltz themes and moments of comic bustle. There's an elegance to the writing that never descends into frivolity, even as the music tumbles through its various comic scenarios.

Who it's for

String orchestras at the intermediate-advanced level seeking repertoire with strong audience recognition and genuine musical substance. This works equally well for festival participation, concert programming, or as an accessible entry point into Strauss for students who know his waltzes but haven't encountered his theatrical side.

How to get the most out of it

  • Shape the phrasing through the waltz sections by treating each 8- or 16-bar phrase as a gentle arch rather than driving relentlessly forward; Strauss's melodies breathe.
  • Balance the violin line against inner voices, especially when cellos or violas carry important thematic material during the faster passages.
  • Approach the tempo relationships between sections deliberately. The shifts from Andante to Allegro to faster material demand clear preparation so the ensemble feels the structural logic rather than sudden lurches.
  • Pay attention to articulation consistency in the string sections. Pizzicato moments and staccato figures define the comic character; sloppy articulation flattens Strauss's humor.

How to use it

Open a spring concert with this to establish a lighter mood, or pair it alongside other nineteenth-century light orchestral works to create a "Vienna and Beyond" themed program. The roughly nine-minute duration makes it ideal for filling a specific programming slot while offering variety from heavier classical repertoire.

Skills your students will build

  • Maintaining ensemble balance across changing textures and orchestrations
  • Shaping phrasing within repetitive melodic structures
  • Navigating multiple tempo shifts and maintaining internal coordination
  • Articulation clarity and consistency in fast passage work
  • Understanding functional harmony and structural coherence in operatic forms

You May Also Like