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Deep River: Concert Band Conductor Score

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Deep River Cover Image

Deep River: Concert Band Conductor Score

Flugel Horn or Alto Saxophone Feature

Traditional / arr. David Marlatt

Grade: 3

Item: 81-CB16306S

$10.00
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Description
"Deep River" has been arranged here to feature the smooth sound of the flugel horn or alto saxophone. This famous melody is supported by an interesting accompaniment with jazz harmonies and rhythmic pulse. Spirituals are ideal on a concert program or for use at a competition.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
SKU: 81-CB16306S

More about this title

Why we love this

Marlatt's treatment gives this spiritual a contemporary concert band voice without sacrificing its depth. The jazz harmonies breathe freshness into familiar material, and featuring a solo voice (flugelhorn or alto saxophone) creates natural dramatic interest that rewards both the soloist and the ensemble.

What to expect

Warm and contemplative, yet energized by the underlying jazz rhythms and harmonies. The familiar spiritual melody carries emotional weight while the modern accompaniment gives it a contemporary vitality that feels both respectful and fresh.

Who it's for

Concert bands at the Grade 3 level looking for programming that combines accessibility with musical substance. This score works equally well for festival competition or community concert settings.

How to get the most out of it

  • Balance the solo line so it sits clearly above the accompaniment; the flugelhorn's mellow tone blends easily, so resist the urge to push dynamics too far.
  • Shape the jazz harmonies with attention to voice leading in the accompaniment; smooth voice movement across chords will highlight Marlatt's harmonic choices.
  • Use the rhythmic pulse as a foundation for phrasing rather than a metronomic grid. The spiritual's lyrical quality will emerge when the band locks the steady accompaniment while the soloist breathes naturally above it.
  • Let the ensemble listen to the soloist during exposed passages. The best ensemble accompaniments are reactive, not mechanical.

How to use it

Program this as a centerpiece in a spirituals-focused concert, or pair it with other sacred or traditional works to create thematic cohesion. Its moderate length and accessible Grade 3 difficulty make it ideal for mid-concert placement where you can highlight a strong soloist while keeping the full ensemble engaged.

Skills your students will build

  • Accompanying and balancing a solo voice within the full band
  • Playing jazz harmonies and swing rhythmic feels
  • Phrasing and shaping legato lines with jazz influences
  • Listening across the ensemble to support melodic lines

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