Deep Blues Sea Cover Image

Deep Blues Sea: Brass Quintet Score & Parts

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Deep Blues Sea Cover Image

Deep Blues Sea: Brass Quintet Score & Parts

Traditional / arr. Ty Watson

Level: Medium

Item: 81-BQ21122

$15.00
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Description
This is a great upbeat swing version of the Sunday School Song "Peter, James and John in a Sailboat". It features a fun walking bass line in the tuba a solos from the other four members of the quintet. Fun but not too hard!

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
UPC: 685462001415
SKU: 81-BQ21122
Instrumentation: Brass Quintet

More about this title

Why we love this

Ty Watson captures the infectious swing groove of this familiar hymn without requiring advanced technical chops from your ensemble. The walking bass line anchors the whole piece, while the solo opportunities give each player a moment to shine—a smart design that keeps rehearsals energizing and makes everyone feel invested in the outcome.

What to expect

The swing rhythm immediately lifts the traditional hymn melody into something contemporary and buoyant. That walking bass creates forward momentum, while each solo voice gets space to express itself over a conversational harmonic backdrop—it's the sound of musicians genuinely enjoying what they're playing.

Who it's for

Brass quintets at the intermediate level who want a piece that's engaging without demanding virtuosity. This arrangement works equally well for festival circuits and community concerts, giving ensembles something approachable but musically substantial to prepare.

How to get the most out of it

  • Keep the tuba's walking bass line relaxed and conversational rather than metronomic; the swing feel depends on that groove breathing naturally with the ensemble.
  • Balance the solos carefully so each voice projects clearly without drowning out the harmonic foundation the rest of the quintet is providing.
  • Emphasize the upbeat character by maintaining crisp articulation on the swing figures, especially in the accompaniment parts.
  • Work the five parts as a unit from the start; brass quintet blend relies on hearing how all five voices interact, not just your own part.

How to use it

Program this mid-set to shift energy and bring a smile to the audience; the familiar tune combined with the upbeat swing treatment makes it accessible to listeners of all ages. It pairs nicely with both more serious brass literature and lighter pops selections, bridging your concert's tonal variety.

Skills your students will build

  • Swing rhythm and articulation (crisp but relaxed on eighth-note figures)
  • Walking bass line coordination and independence
  • Solo phrasing and melodic projection within an ensemble texture
  • Balance and voice leading in four-part and five-part brass harmony
  • Listening and responding to groove-based ensemble playing

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