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December Nights, December Lights: Choral Performance Pack (Director's Score & 10 Singer's Editions)

$69.99 USD
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December Nights, December Lights Cover Image

December Nights, December Lights: Choral Performance Pack (Director's Score & 10 Singer's Editions)

A Seasonal Celebration for Unison and 2-Part Voices

By Sally K. Albrecht, Jay Althouse, and Lois Brownsey

Grade: 3 & up

Item: 00-19239

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Description
"December Nights, December Lights. Celebrations all across the land." A variety of candle holders displayed in a shop window leads a group of students to discover the diversity of the season. Learn about the different ways we celebrate in December with this musical presentation for Unison or 2-Part voices.

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Additional Details
Publisher: Alfred Music
ISBN10: 0-7390-0457-3
ISBN13: 978-0-7390-0457-9
UPC: 038081178844
SKU: 00-19239

More about this title

About the Composer: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has built a four-decade career as a choral composer and conductor whose work centers on accessibility and movement. Since 1987, she has received annual ASCAP Special Music Awards, and her catalog now includes over 600 choral publications and 75 larger works, many of them musicals designed for young singers. She has conducted honor choirs at major venues including Lincoln Center, Carnegie Hall, and The Kennedy Center, and spent more than thirty years leading choral and vocal publications at major educational publishers, including her tenure at Alfred Music.

Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976), the University of Miami (M.A. in Drama, 1977), and the University of Miami Frost School of Music (M.M. in Accompanying, 1979). She has taught at Oakland University in Michigan, Jersey City State College in New Jersey, and Meredith College in North Carolina. Her leadership extends beyond composition; she has chaired the Board of Trustees for Omicron Delta Kappa National Leadership Honor Society and received their Pillar of Leadership award. In 2021, she was honored with Distinguished Alumna Awards from both the University of Miami Frost School of Music and Rollins College, where she serves on the Board of Trustees. She lives in Wake Forest, North Carolina, with her husband, composer and arranger Jay Althouse.

Why we love this

Albrecht's gift for writing accessible, singable lines shines here without sacrificing musical sophistication. The unison-or-two-part flexibility lets you program this across different ensemble levels in a single rehearsal, and the cultural specificity of celebrating Chanukah, Christmas, and Kwanzaa grounds the piece in real diversity rather than generic winter sentiment. Singers will feel the shape and purpose of every phrase.

What to expect

The music has warmth and curiosity built into it, capturing the sense of discovery as students learn about different December celebrations. Moments of brightness and reflection alternate, creating a program that feels inclusive and celebratory without being saccharine. Singers emerge feeling that they have told a story about real people and real traditions, not just sung a medley.

Who it's for

Elementary and middle school choirs at grade 3 and above will find this work immediately accessible without feeling patronizing. Directors seeking a December program that moves beyond standard carols and genuinely represents multiple holiday traditions will find a piece that teaches cultural awareness through song. The inclusion of both unison and two-part options makes it flexible for single-grade performances or mixed-level ensembles.

How to get the most out of it

  • Use the recorded accompaniment to establish the harmonic foundation and free yourself to focus on diction and ensemble balance during rehearsals.
  • Shape each celebration's musical moment distinctly so listeners hear the cultural transitions clearly; vary your tempo and dynamic approach between sections.
  • Encourage singers to visualize the shop window scene described in the text, which will naturally inform their vocal character and presence on stage.
  • If performing in two parts, balance the vocal lines so neither part dominates; this keeps both sections feeling equally important to the whole.

How to use it

Program this as the centerpiece of a December concert, using it to frame the evening around cultural celebration rather than stacking generic holiday songs. Its narrative structure gives you room to pair it with shorter pieces that represent individual traditions, or let it stand as a substantial work that fills twenty to twenty-five minutes on its own. The performance pack's director's score and ten singer's editions make it ideal for classroom presentation or small-group concert formats.

Skills your students will build

  • Singing in unison and two-part harmony with secure blend
  • Sustaining legit tone while maintaining clear diction
  • Understanding and expressing cultural context through music
  • Following ensemble balance and intonation in mixed-voice settings
  • Interpreting narrative and character in programmatic choral music

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